All posts by Donna Green-Townsend

Apalachicola Doin’ Time documentary full script with photos and music

 

“APALACHICOLA DOIN’ TIME” documentary full written script with photos and music below.

(All photos by Donna Green-Townsend)

Documentary Exec. Producer Donna Green-Townsend

Editor’s Note:  Despite the fact it’s been nearly 20 years since this documentary first aired nationally, the Tri-State-Water War has continued to make headlines as the issue works its way through the courts.  The key political players involved, including presidents, governors, lawmakers, judges and regulators, have changed many, many times. Nevertheless, the issues remain the same as the three states involved: Florida, Georgia and Alabama continue to fight over the Apalachicola/Chattahoochee River System they all share. 

In the documentary, which originally aired across the country on Public Radio in October of 1999 (and rebroadcast in 2002) we examined the potential impact of the water war on the seafood community of Apalachicola on Florida’s Gulf Coast in Florida’s Panhandle.  We looked at the history and culture of this historic seafood community and examined the water quality and water quantity issues being debated by water negotiators.

“Apalachicola Doin’ Time” was co-produced by Bill Beckett.  The associate producers were Joshua Azriel and Daniel Beasley.  The documentary received the prestigious National Edward R. Murrow Award for Best Documentary in 2000 from the Radio and Television Digital News Association.

Listen to the radio documentary.  See additional updates and material related to the Tri-State Water War . Learn more about the artists performing in the documentary.

Full transcript of the documentary

Sound of river water flowing

Two hundred yards below the Appalachian Trail the waters of the Chattahoochee River begin a 500 mile journey south. The river flows each day through Atlanta, past Western Georgia cities like Columbus…and along the state boundary between Georgia and Alabama…past more than a dozen dams and locks on the way to the Gulf of Mexico. At the Florida-Georgia border the Chattahoochee meets up with Georgia’s Flint River and takes on a new name: The Apalachicola. Sixteen billion gallons of water flow down the Apalachicola into the Bay every day making it Florida’s largest waterway and it’s at the heart of a Tri-State Water War:

Apalachicola Doin’ Time song by Dale Crider up full

In this documentary we’ll take you on an audio journey to the community at the end of the drainpipe so to speak–Apalachicola, a Florida seafood community that worries about being at the mercy of it’s northern water using neighbors.

Also on this journey we’ll travel to the city’s famous waterfront. Hear about the history of this unique river town and find out how the community’s affected by the rapid development of ecotourism and growth .

We’ll also talk with the key negotiators involved in the current water war involving Alabama, Florida and Georgia as the clock ticks down on a deadline to resolve differences over shared river resources.

Apalachicola Doin’ Time Song by Dale Crider up full

Singer Songwriter Dale Crider

About three decades ago the Army Corps of Engineers began construction of more than a dozen dams and reservoirs on the Chattahoochee/Apalachicola River system. Its goal….to meet navigational and recreational needs of boaters. Georgia and Alabama also saw these structures as a way to store up water for industrial use, agricultural needs and for future drinking water. The projects worried retired wildlife biologist Dale Crider from the Florida fish and wildlife conservation commission. Nearly 30 thirty years ago Crider began to put his concerns into music:

Dale Crider: “And we got concerned here in Florida that that would be destructive to the fish and wildlife values of the river. So I started writing stories and songs about that story of losing a river to navigational development. So um I came up with this notion that the river was just doing time for human beings, you know we had her like a prison with all these locks and dams and everything. That’s how the thread of the song came from.”

Song comes up full and under

There’s a lot at stake for all three southern states. Rapid growth in Atlanta creates a strong need to secure drinking water for the future. Farmers want to maintain the ability to irrigate their crops.  Alabama residents want to maintain peak hydropower and navigational use and in Florida.  At the end of the Apalachicola River the seafood industry worries about the future of its oysters, scallops, crabs and shrimp.

Montage of teaser bites about the water war

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Waterfront Sounds

The sign outside the waterfront restaurant “Boss Oyster” brags 50-thousand dozen served. Owners say that number refers to 1997.  Last year  (1998) they served more than 80-thousand dozen oysters steamed and raw. (Oyster Radio Sound) Even a local radio station proudly advertises itself as Oyster Radio. Apalachicola is truly the Oyster capitol of Florida. Franklin County harvests more than 90 per cent of the state’s oysters and 10 per cent of the national supply and during good harvest seasons that’s three to six-million pounds of oyster meat.

Bobby Kirvin: “Ain’t no one eats more than I do. I eat them on the average of twice a week and in the winter months I eat them four times a week.”

Lifelong Apalachicola fisherman and seafood operator, Bobby Kirvin:

Bobby Kirvin: “And when you eat a raw oyster, you’re eating him functional, he’s gut feathers and all. Uh, that’s a fact. If you think about it, you don’t eat’em, but they are delicious.”

Bobby Kirvin likes to talk about the good old days in the seafood business, before the Water Wars, before Florida’s constitutional ban on the use of gill nets which put many mullet fisherman out of business and before government regulations got tighter.

Bobby Kirvin: “I was in the oyster business for years. I was the largest oyster operator in the oyster business that was here. We had 100 and something stalls.  The day my daddy retired back in the late 70’s I shut it down. Too much aggravation, too many people involved in it.”

So Kirvin retired about eight years ago and left the oyster and shrimp business to his sons and many other young families in Apalachicola,  a fact he’s proud of.

Bobby Kirvin: “Mine was a 15-million dollar operation at that time. There’s nobody ever been in Apalachicola in the seafood business that’s made as much money as I made. None. And I helped more people get on their feet than anybody’s ever been in Apalachicola. The men that worked with me now they own fleets of shrimp boats and I financed their first boats for them.”

Sounds of the waterfront and docks

The oyster business isn’t the only industry bringing in big bucks to Apalachicola. Shrimp, scallops, crab and fin fish also impact Franklin County’s economy……to the tune of fourteen million dollars. Some retail figures for the areas seafood reach as high as one-hundred million by the time the product makes it to restaurant tables.

Singer Songwriter Mark Smith

Wisdom of the River song by Mark Smith

It’s a typical work day on Apalachicola’s waterfront. The “Tina Marie” is pulling into the dock.

Sound of dock up full

Waiting at the dock is Joey Ward, one of four brothers and a dad operating Buddy Ward & Sons Seafood. It’s a true family operation.

 

Joey Ward

Joey Ward: “It’s all of us, Dakie, Tommy, George and myself.  My father’s Buddy Ward. He’s the big wheel.”

There was another brother besides Dakie, Tommy, George and Joey who worked for the family business, but that was a long time ago:

Joey Ward: (There were five brothers.) “My oldest brother Olden, he froze to death out here in the Bay. They went over to little St. George hog hunting. And it got real rough on him. Hard northerns broke out and the boat capsized. Him and another fellar got killed.”  Donna: When was this? Joey: I was in the fifth grade when all this happened. Donna: That’s sad. Was he the oldest? Joey: Dackie’s the oldest now. Donna: “I bet that was hard on your dad, huh? Joey: “ya.”

Dock Sounds
The Ward boys work every aspect of the seafood business. They run processing boats on about 200 leased acres of oysters in Apalachicola Bay. They process shrimp. They own and operate four boats: the Captain T.J., the Donna J., Miss Martha and Buddy’s Boy. And they buy seafood from other fisherman. On this day workers prepare to handle calico scallops fresh from the Gulf. An average haul on one boat alone brings in about 300 gallons:

Snd of knuckle boom picking up and dropping scallops from a boat to a separator

A knuckleboom on the dock scoops up the days harvest from the “Tina Marie” and drops the fresh seafood into a hopper to separate out what Joey calls seafood garbage from the scallops.

Donna: “What kind of garbage? Joey: “skinks, conchs, sand dollars. We’ll put it back on the boat and they’ll be dumped back over. You can’t eat none of it, you can’t eat none of it. What you can eat we’ll save. 90% of it scallops anyway.”

Sounds of waterfront up full and under

As in any family, different members have different skills. While Joey handles the dock, George operates the scallop and shrimp plant. Tommy runs the oyster operation and 42 year old Dakie keeps track of the numbers. He’s the one most vocal about his worries regarding the future of his family’s seafood business. Dakie points to other parts of Florida, where seafood reigned and then disappeared. He’s afraid the same thing will happen to Apalachicola.

Dakie Ward: “Have you been to Tarpon Springs? I’ve been there years ago when there wasn’t nothing but shrimp, snapper houses, unloading houses, stuff all down through there. Key West was the same way. Look at it now. They just kind of weeded the industry out. Go back and look at Tampa Bay years ago. Plenty of oysters, plenty of shrimp, plenty of seafood. Pollution killed the Bay. You can’t get nothing out of Tampa Bay, you can’t get an oyster out of there.”

Retired Seafood operator and fisherman Bobby Kirvin shares Dakie’s concerns. He says the problem’s not just in Florida, it’s a national issue:

Bobby Kirvin: “Pollution and development is what’s destroying it all. Uh, you can take the Chesapeake Bay area. They totally destroyed the Chesapeake Bay before they started trying to clean it up about 20 years ago. Totally destroyed it. They had a big Menhaden industry up there, oysters, it was the oyster capitol of the world, croakers, all kinds of fish and they just about totally polluted the area from industry. And then they have started cleaning the thing up. Boston Harbor, up until a few years ago, they had dumped every bit of their sewage into the water. Nobody says nothing about that. They’re startin’ to do something in the past few years you know trying to clean the mess up.”

Both Bobby Kirvin and Dakie Ward follow closely the news reports about sewage problems in Atlanta, Georgia affecting the Chattahooche/Apalachicola River system and they’re angry.

Dakie Ward: “You got the city of Atlanta dumps tons and tons of waste in the Flint River coming down the Apalachicola River. But you’ve got the City of Atlanta, that would rather pay a fine to the government, but what good is that doing people? I mean, you know, I just don’t understand it.  Water runs down hill, we’re right here at the Gulf. It has nowhere else to go, so it filters out right here in the Apalachicola Bay.”

Bobbie Kirvin: “But pollution, all that junk they’re dumping in Atlanta and they’re paying a fine of so much a day, uh, money ain’t gonna replace it. When it’s destroyed, it’s gonna be gone.”

Apalachicola Bay has already suffered a number of setbacks for shellfish harvests. Recent hurricanes and other heavy downpours have also affected salinity levels in the Bay which hurts the oyster’s ability to spawn. Too much rain also taxes the community’s local sewage facilities causing toxic waste to flow into the water. This causes harvest shutdowns.

During the past five years aquaculture agents for Florida’s Department of Agriculture and Consumer Services have had to close portions if not all of Apalachicola Bay for as many as 467 days. Reasons included red tide, illness outbreaks and hurricanes Allison, Opal and Josephine. Last winter alone, officials closed portions of the Bay for 88 days straight because of heavy rains from El Nino which carried pollution from the river to the bay. Shellfish authorities say they close the Bay most often over problems with elevated fecal Coliform levels in water samples.  That’s why Dakie Ward says additional pollution concerns mean bad news for Apalachicola.

Dakie Ward: “You’ve still got your closures for your oysters, because of the pollution, the rainfall, the run off and it’s going to get worse. The more rainfall you get, the more water that comes down from Atlanta, the less your bay is going to produce. Your white shrimp and your brown shrimp breed in the marshes, and after a while the marshes, after the pollution gets there, you aren’t going to have any more breeding area for your shrimp, the juvenile fish. That’s the only complaint I’ve really got–the city of Atlanta. And the government needs to do something about it.”

In fact water quality is one of the two key issues facing government representatives from all three southeastern states—Alabama, Florida and Georgia– as they hammer out an agreement called the Apalachicola-Chattahoochee-Flint (ACF) River Basin Compact. It’s been nicknamed the Tri-State Water War and there are a lot of players in the negotiations with a lot at stake for all three states.

Musician Ken Skeens

Old Florida River song by Ken Skeens

Any seafood lover in America should take an interest in the health of the Apalachicola River and Bay. That’s how Woody Miley views the issue. Miley’s the Director of the Apalachicola National Marine Estuary. Among his usual duties, he advises Florida’s water negotiators about the pollution status in the river and bay and its effect on seafood production in the Gulf of Mexico. Miley says this should be a national concern.

Bay Sounds

Woody Miley: “42 percent of all seafood harvested in U.S. waters comes from the Gulf of Mexico, that’s more than either the Atlantic or the Pacific. And within the Gulf 95 percent of all species harvested commercially and 85 percent of all species harvested recreationally have to spend a portion of their life cycle in an estuarine system.”

Pollution worries Apalachicola fishermen like Dakie Ward and Bobbie Kirvin. They want Florida’s negotiators to do something about their northern water using neighbors. Sally Bethea is the executive director of Upper Chattahoochee River Keeper, a non-profit organization whose goal is to preserve the Chattahoochee.

Sally Bethea:  “Well the Chattahoochee is a very polluted river, we’ve been named one of ten most endangered rivers in the country. For decades Atlanta has dumped raw sewage into the river, it has not met its permits.  Of course when sewage, under treated sewage or raw sewage is dumped in a river like the Chattahoochee you have serious bacteria problems causing potential threats to drinking water supplies and recreation down stream. Our research indicates by and large that pollution extends maybe 100 or so miles down the stream.”

Bethea says her group organized a lawsuit in 1995 against the city of Atlanta concerning its sewage problems.

Sally Bethea: “The problem is primarily associated with the city of Atlanta’s old and decrepit and under-maintained sewage system, 100 year old pipes, the money has just not been spent to upgrade these systems.”

The Riverkeeper group won the case in 1998. The city of Atlanta has until 2007 to upgrade its sewage system. Robert Kerr is the Director of the Pollution Prevention Assistance Division with Georgia’s Department of Natural Resources. He’s also Georgia’s water negotiator in the Tri-State Water War. Kerr says since the lawsuit, sewage system improvements have already begun on Atlanta’s end of the “drain pipe.

Bob Kerr: “The City of Atlanta has been fined as everybody knows. They’ve made major efforts to invest a lot of money into cleaning up the combined storm sewer overflow facilities. I think the water quality is improving, not degrading. And we have committed in the compacts themselves that all the water quality laws will be met. So we will have to meet and do that.”

Estuary director Miley points out the dams and reservoirs along the Chattahoochee River act like a filter.

Woody Miley: “The reservoirs that are in Georgia act as a sump. The pollution basically stays in the reservoir system and once it gets into Florida our flood plains and our marshes are relatively intact. They filter pollution that would otherwise end up in our bay. ”

Sound of rainwater flowing

Riverkeeper’s Bethea says contrary to popular belief there is very little outright toxic dumping into the Chattahoochee River. She points out most of the pollution is an indirect consequence from industrial and residential development in Atlanta.

Sally Bethea: ” When a developer comes in to build a subdivision, a large commercial development, typically they come in and scrape off that carpet, that natural vegetative carpet. And so when it rains and you have that hard rainfall on that Georgia red clay, you end up with the mud and dirt flowing down to the lowest level into small streams, larger ones, and then into the river. And most people don’t think of sediment and eroded soil as a pollutant but it very much is. It destroys the life in our rivers. It causes the pesticides and chemicals and oils and greases that catches onto the particles as it flows over the land and all that ends up in our rivers.”

Estuary director Miley says right now the estuary system between the river and the bay is relatively healthy and he points to the variety of species of fish utilizing the rich waters.

Woody Miley: “Blue crabs, for example, migrate as much as 300 miles to spawn in Apalachicola Bay. They send their larval and juvenile stages in our marshes and then they scatter out all over the Gulf. So do shrimp and so do fin fish. So the productivity of the Gulf of Mexico is almost totally dependent on coastal productivity, estuarine productivity and Apalachicola is among the best.”

Miley says the waters of the river and bay serve as home to one of the most diverse ecosystems on the continent with more than 1300 species of plants including the recently discovered Apalachicola Daisy. In fact, the critically acclaimed 1997 movie “Ulee’s Gold,” filmed in the area, spotlights the Apalachicola River’s large and dense population of black Tupelo gum trees.

Movie clip from Ulee’s Gold

The trees grow in the swamps and yield blossoms used in harvesting the area’s famous Tupelo honey. Miley says only clean waters allow this kind of ecological diversity to thrive.

Woody Miley: “Species diversity here for amphibians and reptiles exceeds that of any place in North America north of Mexico. We are as productive from an estuarine harvest standpoint as anywhere else. In fact, Apalachicola’s estuary is one of, if not, the most productive estuarine systems in the northern hemisphere based on a production per acre basis. We’re even more productive than the Chesapeake,although that wasn’t always true.”

Bay sounds

So although sewage treatment facilities and urban runoff in northern Georgia around metro Atlanta cause river pollution for nearly 100 miles downstream scientific data from water managers apparently supports Miley’s theory that the dams and reservoirs hold back the pollution. The manager of the water protection branch of Georgia’s Environmental Protection Division says when the water of the Chattahoochee crosses over the Florida state line, it meets current Georgia water quality standards which meets EPA criteria.

If the water is okay when it comes into Florida, why does fecal coliform or the bacteria from human and animal waste show up in Apalachicola Bay? Florida’s water managers say the state needs to look in its own backyard. Some of the bacteria shows up when water naturally drains off the flood plain. They say there are too many septic tanks along the coast and water managers say Apalachicola’s own sewage facilities need upgrading.

To help with the situation Florida lawmakers recently made it mandatory for all commercial fishing boats to carry port-o-lets on board. Differences of opinion about pollution reflect the temper of the current water negotiations over water quantity. This arena of the water wars causes most of the debate among the players involved. Not only are they debating water quality, but how much water flows through each state. We’ll take a look at the water quantity debate later in this program.

Singer Songwriter Harvey Reid

Harvey Reid’s song Circles up full and fades under

Throughout history, folks who’ve lived along the Apalachicola have faced adversities. Industries have come and gone many times.

Frank Miller (tourist) bite: This town has lived and died about three or four different times, and you don’t see many towns that do that.

Circles up full and under

 

Some may say Apalachicola has come full circle in the past 178 years. In the early 1800’s the South recognized the panhandle community as the third largest cotton port on the Gulf Coast, ranking only after New Orleans and Mobile. The town’s first unofficial name was Cotton Town. But, Florida’s first railroad drew away most of the cotton trade. Devastating hurricanes blew through gulf coast communities in the 1830’s and 40’s not to mention yellow fever epidemics and the Civil War.

Circles up full and under

In the 1880’s the town hit another economic boom with the beginning of cypress milling. Lifelong resident, 96 year old Homer Marks, remembers where many of the old sawmills used to stand.

Homer Marks

Homer Marks: “The Cypress Lumber company come down here from I think Baltimore or somewhere up in there in ’84 and then there’s a big city out there you turn off just before you get, before you get to my place out there, and just beyond me was Coombs Mill. It burnt I think in 1910. And then there was the Loxley Mill, the Coombs Mill and the Cypress Lumber Company and the Kimber Mill was right here in town, but it was gone. It went with the fire of 1900.”

 

The new pastor of the First United Methodist Church of Apalachicola, Reverend Brian Fowler, has heard a lot about that turn of the century blaze.

Fowler: “In 1900 the pastor’s wife had left a pan of grease on the stove evidently and had forgotten about it and started the fire and the wind blew it across the street to the Methodist Church and it went to the rest of the town from there.”

The congregation of the First United Methodist Church rebuilt.

Music from a church service in Apalachicola

99 years after the fire about 200 people belong to the church. It’s one of about 15 churches in this town of three thousand residents and Fowler says allegiance is strong.

Fowler: “I’d say probably about half my congregation has been here for generations. For example, the mayor of the town is a member here and his family is one of the founding families, the church is 160 years old and he told me just the other night that he sat with six generations of his family in this church and how many people can say that.”

That mayor is Bobby Howell.

Bobby Howell: “I retired from the military in 28 feb. 89. I spent a year having cancer operations and then I was elected to mayor in the September of 91. And then I was re-elected in September of 95 and there’s not going to be a third time. My wife said she was leaving me if I ran again.”

In a small community like Apalachicola, everyone seems to know everyone else, especially a person’s history, good times and bad times. So it wouldn’t be surprising to hear that the current mayor, Bobby Howell, has a tie to one of the town’s oldest residents, Homer Marks. Howell is actually a descendant of the family that affects Homer’s life every day. It’s the kind of story that transcends time. It’s a love story really.

Homer Marks by his garden

You see everybody knows Homer Marks for the many businesses he’s run through the years. He’s been in the wholesale grocery business, the ice business that catered to the seafood operators. He’s been a bee keeper in the Tupelo honey business. He had an outboard marine business.

But when locals see him drive down the streets of Apalachicola (he has a license until 2001) they all usually know where he’s going. That’s the way it is in a small town with one blinking light. Homer Marks is usually headed to one of his two favorite spots. One is his garden on the edge of town.

Fade up Homer talking about his garden crops

What touches most people is how Homer Marks drives almost daily to one of the local cemeteries to tend to the grave stones of the people he’s loved in his life.

Homer Marks: “Yeah, I got my first girlfriend out there, my wife’s out there, my second girlfriend’s out there.”

He still finds it the most difficult to talk about his first girlfriend. Homer was 21 years old when Margaret Howell died in 1923 at the age of 17. He’s never quite gotten over Margaret’s death.

Margaret Howell’s gravesite

Homer Marks: “Yeah, that sort of still touches me. I can’t talk about it. There was a day school opened. A boy had one of those pickup things, one of those platforms and three girls and one boy went out this here road on the way to St. Joe. They weren’t going to St. Joe, but it’s called three mile turn, and he turned in that sand and it turned over and it hurt the other two girls but it killed her. Donna asks: Were you going to get married? Homer Marks: “As soon as we got enough to eat we were going to get married, yeah. It’s a real touchy subject with me. I just ain’t man enough to stand up on this.”

 

Musician Mike Jurgensen

Margaret song by Mike Jurgensen up full

Homer Marks spent most of his life only a few blocks from the house he was born in, close to the Methodist Church before the city put in that blinking light. He remembers the start up and demise of virtually every business venture in Apalachicola. In many ways he represents the paradox facing many old fishing communities like Apalachicola. He reflects the kind of old world gentility, history and color that tourists seek. Yet that creates another threat to the town’s culture and history, to the river, estuaries and Bay that the seafood industry relies on.

Bridge over the Apalachicola River

Ironically, Homer Marks’s father had a role in deciding where to build the key bridge that connects Apalachicola to it’s East Point neighbor across the Bay. The highway bridge construction in 1935 changed the community forever.

Car sounds with Bing Crosby song Apalachicola, FLA

 

Florida seafood towns like Miami, Key West, Tampa, and Tarpon Springs have historically attracted tourists. Apalachicola now attracts tourists, ironic since Franklin County officials still call it the “Forgotten Coast” People want to see a part of old Florida. Many credit eco-tourism for the new interest in the fishing town and the big money it brings to some of the old and new businesses.

The Witherspoon Inn

Many visitors came back to stay. Several have taken out loans from the local banks in the area to remodel historic homes. The Gibson, the Coombs and the Witherspoon all cater to the bed and breakfast crowd.  Feelings are mixed about this next economic phase the community faces.

 

Musician Steve Gillette

The River song by Steve Gillette with paddlewheel sounds up full

 

Phyllis Blake, tour operator: “Business has been good. of course, the seasons vary.”

That’s Phyllis Blake talking from the stern of the Jubilee. It’s a paddle-boat she uses to guide visitors around Apalachicola Bay and the mouth of the Apalachicola River.

 

The River song up full and under

Her husband Danny built the boat – a hobby of his that he’s made into a career. The two moved to Apalachicola about eight years ago in true maritime fashion – They came by sea from Vicksburg, Mississippi – on a sailboat Danny had made them – The area was love at first sight.

Phyllis Blake: “It was like a part of the world you thought didn’t exist anymore. And that’s why people want to be here I think. I mean there’s almost a magic in the town. It’s something you long for. Something maybe you read about or saw in a movie.”

Her tour is one of history – of Native Americans that once held the land – and of a blooming cotton industry that fed the town making it grow into a major southern port. And of course, there’s the fishing industry.

Phyllis Blake: “They love to see the shrimp boats and the fishing boats and the oyster boats and they just think it’s marvelous that people are able to do that and quite colorful and wonderful.”

Just up the waterfront – another tour. this one offered by Gibby Conrad. He’s also new to the area. He and his wife moved here from New Orleans about two years ago.

Gibby Conrad: “Well, i do kind of a combination eco-tour and history tour. We get a lot of people from up north, so-called snowbirds and those actually the type of people interested in my trip. They’re bird watchers, and they’re interested in nature and that kind of thing.”

And so it goes all along the Apalachicola water-front. Eco-tours are popping up all over the place. There’s one for fishing and another for snorkeling… and now tourists can even take a sail on a piece of history.

Sound of Danny Blake talking about the Governor’s Stone sailboat

When he’s not doing paddlewheel tours, Danny Blake spends his time fixing up an all wood sailing vessel. It’s a Mississippi ship called the Governor stone and it dates back to 1877. The city’s maritime museum board commissioned the boat’s repair. Kristen Anderson sits on the museum board. She says While the Governor’s Stone once carried cargo, now it hauls tourists.

Kristen Anderson: “Her new job is carrying passengers as cargo basically and teaching people about the history of the Gulf Coast in particular, maritime history.”

Apalachicola officials are banking on all the water ventures bring in more tourism dollars. So, is this isolated town on Florida’s gulf coast still a real fishing village or simply the next major Florida tourist trap? one thing everybody does notice – Apalachicola is changing.

Musician Jeanie Fitchen

Changes in the Wind song by Jeanie Fitchen fades up


Phyllis Blake: “I understand their feeling. It is changing. The way of life will change.”

Steve Davis, tourist: “It used to be almost totally sand dunes, you know. Now it’s all condos and houses and so forth.”

Phyllis Blake:  “I know it’s happening all over America in small towns – especially along the coast.”

Billy Cooke, resident: “Back in the mid-eighties, the Gibson Hotel was just a flop house, and nothing was downtown hardly at all.”

Music cross fades with sound from  Gibson Inn

The Gibson Inn. People in town can’t seem to stop talking about it and tourists can’t miss it.

 

?

Michael Koun, Gibson manager: “The hotel was a Victorian hotel. It was built in 1907 with the fine woods and the construction of the hotel, what we’ve tried to bring back was the way it was in 1907.”

Michael Koun manages the Gibson and owns it along with his brother and another business partner. The Gibson is the first hotel motorists see coming off the Highway 98 bridge leading into Apalachicola.

Michael Koun: It was about a dollar and a quarter when it first opened, and I think it was two or three dollars in the twenties. ..and it was a bit more formal back then.”

The Gibson was built as a hotel more than ninety years ago. Fifteen years later two sisters,  Annie and Sunshine Gibson, bought the hotel passing along a namesake. In 1983 Koun went in on the purchase leaving his life in Williamsburg, Virginia far behind. The Gibson then only operated as storefronts on the ground floor.

Koun refurbished the top two stories and cleared out the businesses below making way for a lobby, a bar and a restaurant that now serves three meals a day.

Sound of Gibson Inn up full and fade under

Apalachicola Mayor – Bobby Howell.

Bobby Howell, Mayor: “The Gibson Hotel might have been the beginning of the restoration in the community… well, I would give them more credit than anybody when they opened that. Yes, I would, personally.”

The risk paid off. The Gibson is now one of the most thriving inns in Apalachicola. And a block away Pamela Barnes is booked solid for the weekend at the Coombs Inn.

Pamela Barnes, Coombs Manager: “So we have 17 bedrooms. We have a carriage house apartment. We have meeting space, banquet space.”

Coombs Inn

In 1911 Mr. Coombs moved among the rich and famous in Apalachicola’s silk stocking district. He owned a lumber mill down on the waterfront. He built his home from the wood he milled. A black cypress lentil crowns the grand entrance.

Pamela Barnes: “When we first moved here a year ago, on Fridays it used to be a walk-in town. And now you’ve gotta make reservations to come here.”

The town does seem to be booming with renovation projects on each block. The population’s up, especially over the summer…60-thousand people crammed into and around an area that’s used to only about 10-thousand during the slow months. The tourist interest concerns some of the city’s long-time residents, including retired fisherman Bobby Kirvin.

Bobby Kirvin: “That’s the problem. If they can show me a place that has developed and kept the seafood industry. Key West? Viable seafood industry? You can’t even carry a damn commercial boat into Key West now. You have to go to Stock Island. Tourists took it all over.”

The seafood industry, of course, is the primary concern. Gibby Conrad:

Gibby Conrad: “Unfortunately, money is what drives things and other than the seafood industry, there isn’t very much here and so tourism is definitely the up-and-coming thing and it’s a real delicate balance of keeping things the way that people who come here originally like them and still, um, still have a viable industry in tourism.”

Cliff Butler is President of Gulf State Bank. This locally owned bank made several start-up loans to tourism ventures, including the Gibson Inn, in an effort to spark economic growth in Apalachicola. Butler’s philosophy smacks of pragmatism.

Cliff Butler: “The seafood industry is not what it was, what with all the new rules.  Also, adverse publicity on, let’s say oysters, has hurt the demand from time to time, and the tourist industry has allowed an alternative benefit where family members could work and incomes could be supplemented during the times when the seafood industry was not thriving.”

The new tourism twist in the economy has brought on some traffic headaches in this small town.

Oyster Radio Station sound plus traffic sounds

Michael Allen heads up the news department at Oyster Radio.

Michael Allen, Oyster Radio: “Here, three cars in a row is a traffic jam.”

Traffic is tighter on the bridge out to Saint George Island as well. Many people who make their living in Apalachicola make their beds on Saint George Island. It’s the barrier island that forms the fertile seafood nursery known as Apalachicola Bay. Michael Allen spent his childhood on the island.

Michael Allen: “When I was growing up, there were no houses. There were  maybe 10, 15, 20  houses. You go over there, I mean you’ve seen it. There are no lots left open anymore. You have these things we call “skinny-minis,” these little houses by the public beach. You can’t even see the water from the road anymore. I think it’s a travesty.”

The edge of Saint George Island is lined with thin waterfront condominiums. Each is three stories high and only the width of a two-car garage. Every bungalow has a name. It’s all time share. And there’s no room between any of them.

Bobby Kirvin: “And when you stack houses side by side down that whole dang island, which will eventually happen, you can forget any kind of commercial oyster industry or anything else in Franklin county.

Bobby Kirvin’s worried about the environmental impact.

Bobby Kirvin, retired fisherman: “The development of St. George Island will destroy Apalachicola Bay eventually. It’s all on septic tanks.  And you can’t tell me if you put enough septic tanks in the ground, it won’t eventually pollute the bay.”

So, the city’s put a three-story limit on new development and issued a comprehensive plan for the area. But there’s still no way to put a cap on the growing tourism market.

Phyllis Blake: “This is America. You can’t change where people. If people want to move somewhere, you can’t do anything about it.”

But Bobby Kirvin’s memories are shaded by a sad history, the way Florida’s last great seaports have been shattered by tourism.

Musician Nick Blake

The song Southwind played by Nick Blake down under

Bobby Kirvin: “Tarpon Springs was just like Apalachicola. When I was a kid, I went to Tarpon several times. A little, laid-back community. And now, what are the commercial people doing now – the sponge divers and all? They’re putting on exhibits for the tourists! And that’s it.”

 

 

The manager of the Gibson Inn saw much the same thing happen to his hometown.

Michael Koun:  “I don’t want this town to be another Williamsburg. One of the things people like about this town is the town itself has character and there’s characters in the town, including the new ones and the old ones. But it has character and has sort of a working relationship. The new people move in and don’t always understand where the old people are coming from and the old people don’t always understand where the new ones are coming from. But there’s sort of an understanding with the people who have moved in, I feel, that the waterfront is going to stay the waterfront and let’s keep it the waterfront. But part of the character of the town are those shrimp boats out there and the men that work them, and the families that work them. And that adds character to the town.”

And out on the water the feeling is shared by tour boat operators. They too say they want to see the town preserved. They say they’re on a mission to educate tourists – not lure them in.

Gibby Conrad: “I do think the two things can exist, and I think one of the ways they can co-exist is by informing the tourists about what goes on in a working seafood port, what those guys, what those fishermen go through and what the results of what some of the laws in the name of ecology wind up doing to the people who have to use them day to day.”

Sound of waterfront and music up full and under

Hurricanes , water quality issues, ecotourism, development – all challenges this small but growing community faces. Yet, for now, the seafood industry continues as the backbone of Apalachicola’s economy. Oysters flourish because of what many consider to be a “magical” balance between fresh water and salt water in the Bay as the Apalachicola River converges with the Gulf of Mexico. Scientists say maintaining this balance is the key to preserving the oyster industry. As their deadline nears tri-state water negotiators are trying to invent a water quantity formula agreeable to Alabama, Florida, and Georgia.

How did this water war begin? 10 years ago the Army Corps of Engineers proposed reallocating water from Lake Lanier, just north of Atlanta, to supply the metro area’s growing water needs. The state of Georgia intended to build a reservoir on the Tallapoosa River in West Georgia. Alabama officials worried this would reduce their supply of water needed for hydro power. They filed a lawsuit against Georgia and Florida joined in. The three states decided to try and solve this issue on their own, resulting in the tri-state water compact negotiations.

The three states have four broad goals in mind. Metro Atlanta’s thirst demands more drinking water. South Georgia farmers insist on irrigating their peanuts, cotton, and corn. Alabama needs hydropower and navigational use down the Chattahoochee and Apalachicola Rivers. And if these demands weren’t complicated enough, Apalachicola’s seafood industry requires fresh water flow for a diverse and healthy bay.

Steve Leitman is the environmental scientist for the N.W. Florida Water Management District. Leitman says the nutrients which help the aquatic life flourish in the Apalachicola River and Bay come from a variety of sources.

Steve Leitman: “…its water shed extends far up into Georgia that it gets its biotic influences from the Appalachian mountains from the Piedmont and from the coastal plain.“

Lindsey Thomas represents the federal government in these negotiations. Thomas worries Alabama, Georgia, and Florida may not meet their December 31st deadline.

Lindsey Thomas: “I would say right now things are not moving like I would like to see them move if we are going to get an agreement. And I think right now time is running out.”

They couldn’t agree last year, so they extended the talks through this year. Federal representative Lindsey says negotiations have slowed partly because each state has a new governor. Matthew Kales is the program director for the non-profit Upper Chattahoochee River Keeper organization. Though he differs with state officials, he describes Georgia’s philosophical approach to the compact.

Matthew Kales: “Georgia’s idea is to manage the reservoirs in the system as a whole as if drought were imminent, keep as much water as possible behind the dam while meeting the needs of downstream neighbors.”

Robert Kerr is Georgia’s representative in the negotiations.

Robert Kerr: “Can we get an agreement? We hope so because what we are looking at is what we consider to be a reasonable use and a reasonable return of the waters that we use some 200 plus miles north of Apalachicola Bay. And we don’t anticipate that the activities in the metro Atlanta area are going to have that material effect down there.”

Not everyone agrees. For the last five years parties from all three states have jointly developed databases in order to analyze each others statistics and ideas. Florida’s Environmental Scientist Steve Leitman says everyone’s trying to look at this issue from the point of view of what is good for the entire river basin system.

Steve Leitman: “And so what this five year period did was it allowed this development of a mentality or a consciousness in the basin where people could start seeing it more as a whole system.”

Georgia negotiator Kerr says Alabama and Florida shouldn’t worry so much about how much water’s coming down the river.

Robert Kerr: “The states of Alabama and Florida do not need an agreement in the sense that if they don’t get an agreement their not going to get any water. We’re going to be providing water downstream, we have obligations within our own state.”

But lifelong Apalachicola businessman and seafood operator Bobby Kirvin doesn’t share negotiator Kerr’s opinion and says look what happened in the water wars out West:

Bobby Kirvin: “How much water comes out the Colorado at the end of it now, none. You can walk across it dry footed because they utilize every drop of it somewhere along the way.”

As already mentioned, one of the sticking points in these talks is metro Atlanta’s growth. It takes in up to 20 counties. Urban sprawl characterizes Atlanta. The current population of about 3.7 million people is expected to balloon to nearly 5-million residents within 50 years.

Matthew Kales: “What we’re seeing here is a metro area that is writing natural resources checks, it’s writing growth checks that it can’t cash. We’ve exceeded our carrying capacity and the tri-state water war is very much a wake up call to that affect.”

Kales predicts in any future agreement metro Atlanta’s needs may outweigh those of the farmers in southern Georgia. Lake Lanier is a man made lake located just north of the city. It holds about two thirds of the water storage for the Chattahoochee and Apalachicola Rivers. Steve Leitman of the Northwest Florida Water Management District says any compact agreement may have to include releasing more water from Lake Lanier for downstream needs. Another bone of contention.

Steve Leitman: “Lake Lanier is set up to be managed to fluctuate 35 feet. If it changes four feet the people around it are screaming saying you can’t lower it anymore. And so a lot of this management capability that was paid for by tax payer money really has turned around to become lake front property for the residents of the area.”

Georgia negotiator Robert Kerr claims his state needs flexibility in water planning and this puts Georgia at odds with Florida in the current talks.

Robert Kerr: ” Florida simply wants us to agree to an ongoing evaluation for about 10 years and a growth out to 2010 and then if we can’t reach agreement we cut off any additional growth out of the system, well obviously 10 years of certainty is not sufficient, so that’s the major problem there.”

In other words, adaptive management. It’s a new concept. River Keeper’s Matthew Kales:

Matthew Kales: “Adaptive management is a very basic ecosystem management tool or concept whereby you monitor a system after a management plan has been implemented. You see what the feedback from that system is chemically, biologically, economically, and then you adjust accordingly so that that management plan is ecologically sound in the best interests of the water dependent entities.”

Apalachicola estuary director Miley points out how other nations suffered when they ignored such techniques.

Woody Miley: “With the demise of the Soviet Union and our access to their scientific literature and their scientists, and uh, the Aerial Sea lost a 1.2 billion dollar a year seafood industry. Same horror story for the Azov, the Caspian, the vast Volga delta and the number one culprit in their research was changing the fresh water flow into those systems.”

In the end it is still the oyster industry which supports the livelihood of so many of Apalachicola’s residents. Miley says balance between the Gulf of Mexico’s salt water and the river’s fresh water is vital to this industry’s survival.

Woody Miley: “But if we lose fresh water and the bay goes more salty, then all the parasites, predators, and diseases in the Gulf move in and devastate the oyster bars.

With Florida, Georgia, and Alabama drawing off this resource, any future agreed upon compact will be the first of its kind in the United States. Federal Commissioner Thomas.

Lindsey Thomas: “It gives the three states the opportunity to make their own determinations about these waters here to a great extent, as how to manage them, how to steward them keeping it within the confines of existing federal law, clean water act, clean drinking act, and those kinds of things.”

Thomas along with nine federal agencies including the Army Corps of Engineers, the Department of Interior, and the U.S. Fish and Wildlife Service will have to give the final stamp of approval within 255 days of any final agreement. If Florida, Georgia, and Alabama cannot reach an agreement, the issue could go before the U.S. Supreme Court and drag out another ten years. Estuary Director Miley.

Woody Miley: “This is a regional resource, its going to take all three states and if we’re going to manage this system in a way that all the user groups can continue to use it, and everyone needs to realize that a fish fillet does not originate at Publix.”

Miley stresses if Americans want to continue buying fresh seafood at their local market, they must take an interest in what’s happening in this Tri-State Water War before a major resource disappears.

One of the biggest unknown factors in Apalachicola’s future surrounds the question of what will happen to the more than 70-thousand acres in Franklin County owned by one of Florida’s biggest real estate development companies. St. Joe Company has more than one million acres of land in the state. Most of that acreage sits in the Florida Panhandle. A company spokesman, says most of it will remain timberland. St. Joe does have a variety of projects in planning stages or underway including: beach clubs, hotels, condos and a marina.

What worries environmentalists is what St. Joe plans to do with a 7 ½ mile stretch of beach front it owns on the Gulf in Franklin and neighboring Wakulla Counties. For now the area remains undeveloped, but Franklin County’s planning director says it’s just a matter of time. He says until the community upgrades its already over-capacity sewage treatment facility, the community’s not ready for any major projects. St. Joe Company’s spokesman says assisting the community with their sewage treatment problems is something they’d be willing to take a look at. Meanwhile, no one disputes the fact that like the outcome of the current Tri-State Water War, St. Joe Company has the power to reshape the future of this historic, seafood community.

Music Drifts Along This River song by Mike Jurgensen up full

 

Listen to the radio documentary.  See additional updates and material related to the Tri-State Water War . Learn more about the artists performing in the documentary.

CREDITS:
This program was co-produced by Donna Green-Townsend and Bill Beckett. Associate producers were Joshua Azriel and Daniel Beasley. Jim Bickerstaff and Gravity Productions provided additional recording services. For more information about the Tri-State Water War negotiations or  this program click here.

Funding for this program was provided by a grant from George Floyd in memory of Jim Floyd and George Kirvin, two of the earliest heralds of the rivers and bays and their value as an undisturbed natural resource.

A lost tourist’s letter home video pokes fun at FL visitors who end up in Central FL rather than the beach

Frank and the late Ann Thomas

The late singer-songwriter Ann Thomas captured just what a lost tourist might feel if he or she was heading for a typical vacation on a Florida beach, but ended up in Florida’s scrub land in her song, “A Lost Tourist’s Letter Home.”  Ann was the other half of the famous couple Ann and Frank Thomas who wrote numerous songs about Florida.

 

Jessie and Lee Townsend

Jessie and Lee Townsend along with musicians David McBrady, Chris Henry and Red Henry  captured the spirit of this tongue-in-cheek song written more than 30 years ago in the video below.  Produced by Donna Green-Townsend, the video captures scenes around North Central Florida, particularly Cross Creek.  Portraying the lost tourist is Harriett Meyer.

 

 

 

Will McLean collection acquired by the University of Florida

As the Will McLean Music Festival nears, organizers are celebrating another major development cementing his legacy. In recent weeks the song lyrics, poems, recordings, correspondence and personal items from the late Will McLean (1919-1990) have been transferred to the University of Florida. McLean, known as the “Black Hat Troubadour,” is the first folk artist inducted into the Florida Artists Hall of Fame.

 

 

McLean’s guitar

On behalf of the Will McLean Foundation I am thrilled to have Will McLean’s song lyrics, correspondence and personal artifacts such as his guitar, harmonica and black hat preserved in the Special Collections Area of the University of Florida George A. Smathers Libraries,” said Margaret Longhill, President Emeritus of the Will McLean Foundation.

 

McLean’s black hat, harmonica, glasses and whet rock

Will McLean is considered to be the Father of Florida Folk.  “Inspired by his travels with his grandfather, Will McLean captured the heart of Florida in his poetry and lyrics.  As the late Pete Seeger once said, ‘Will’s songs will be sung as long as there is a Florida.’ Having Will’s special collection at the University of Florida will make it possible for a wide audience to research his materials,” said Longhill.

Curator of Popular Culture Collections in the Department of Special and Area Studies of the George A. Smathers Libraries at the University of Florida, Jim Liversidge, said UF is excited about the opportunity to celebrate the life and art of the “Black Hat Troubadour.”

McLean’s poem, My Soul Is a Hawk

“This extensive and colorful research collection of Will McLean’s personal ephemera, recordings and artifacts is now available to students and researchers who will have the opportunity to relive or discover the musical and poetic output of the “Father of Florida Folk,” said Liversidge.

The Will McLean Collection is housed at UF alongside the papers of Marjorie Kinnan Rawlings, Zora Neale Hurston, John D. MacDonald and others in support of Florida history, popular culture and the performing arts.

“The George A. Smathers Libraries at the University of Florida is proud to preserve and present the historic and culturally-important legacy of the state’s premier folk artist,” added Liversidge.

Meanwhile, festival goers and organizers are gearing up for the 29th Annual Will McLean Music Festival scheduled for March 9 – 11th at the Sertoma Youth Ranch near Brooksville. The festival features multiple stages and acoustic instrument and vocal workshops for adults and youth throughout the weekend as well as activities for children, food and vendors featuring arts and crafts.

Click here to see the evening lineup for the festival.
To learn more about Will McLean, the Father of Florid Folk click here.

Will McLean Music Festival evening lineup announced

Hundreds are expected to turn out for the 29th Annual Will McLean Music Festival March 9 – 11th at the Sertoma Youth Ranch between Brooksville and Dade City. The festival which honors the “Father of Florida Folk” has become one of the most popular venues for Florida songwriters.

The festival will feature multiple stages and acoustic instrument and vocal workshops for adults and youth throughout the weekend. There will also be activities for children, food as well as vendors featuring arts and crafts. For more information about the Will McLean Music festival schedule and ticket prices go online to WillMcLean.com. See links and pictures below for the music lineup for Friday and Saturday nights March 9th and 10th.

 

Grant Peeples 8 p.m. Fri. March 9- Grant, a Tallahassee singer-songwriter, is a self-described “tree-hugger” who watches NASCAR known for his axe-sharp socio-political tunes, raucous humor and heart-gigging ballads. In 2014 he was the recipient of the Focus Foundation Award for Creative Excellence, which cited the “humor, compassion and wisdom of his songs,” as well as their unflinching social insight and cultural acuity.” He was a 2016 Finalist in the prestigious New Folk Songwriters Showcase, sponsored by the Kerrville Folk Festival.

 

Mindy Simmons 8:45 p.m. Fri. March 9- Mindy is truly a genuine performer who guides her audience down the bumpy road of life smiling all the way. Mindy combines quick wit and charm with a voice that moves flawlessly from satin smooth to gutsy, creating a memorable performance that feels like an evening with your best friend. Based in Sarasota, Florida, Mindy performs at major folk festivals throughout the State. At the South Florida Folk Festival, The Will McLean Festival, and The Gamble Rogers Festival Mindy has shared concert stages with Loudin Wainwright III, Cliff Eberhardt, Cosy Sheridan, Asleep at the Wheel, Vance Gilbert, and John Hammond Jr., to name just a few.

Brian Smalley 9:30 p.m. Fri. March 9- Brian blends a soulful, earthy voice with high-energy acoustical guitar. A review from Florida State Parks described him as a musician who truly “gets Florida” and is inspired to write about it in ways that are both moving and humorous. He spins tales that captivate listeners and take them on a Florida experience, ranging from his Civil War ballad (Chickens Pigs) to a contemporary meditation on the rusting boats along a Key West wharf.

Brother Brother 10:15 p.m. Fri. March 9- This brother duo of Bradley and Brett Anderson describes their music as Indie Rock with a banjo. They began their musical odyssey a few short years ago at the Will McLean Music Festival. The grass-roots, home-town band from Sarasota, Florida was invited to perform at a theatre in Branson, MO where they went from having played 10 shows a year to 10 shows a week year-round. The brothers now have two professionally recorded CDs. They describe the newest album as a cool fusion of acoustic guitars, electric banjos, synthesizers, and a really fun indie rock energy.

Belle and the Band 7:30 p.m. Sat. March 10- Suncoast Emmy Award-winning Belle and The Band combines masterful song-writing with instrumental prowess to deliver an acoustic sound that is thought provoking, melodic, and memorable. While Kathryn Belle Long’s many years of experience as a professional vocalist and Walt Disney World performer has seamlessly transferred into a prolific song-writer, the “Band” also includes some of Florida’s most recognized and accomplished acoustic musicians—Mickey Abraham, Kevin Robertson, and Mike Snelling. The group has performed at several premier roots music festivals in the Southeast including Roots Revival, the Florida Folk Festival, Suwannee Springfest, Magnolia Fest, Bear Creek Music and Arts Festival, Baygrass Bluegrass Festival, Florida State Bluegrass Festival, Southern Music Rising, and the Gamble Rogers Festival. The lead singer, Kathryn Belle Long is this year’s winner of the Will McLean Best New Florida Song Contest.

Sam Pacetti 8:00 p.m. Sat. March 10- Fingerstyle wizard Sam Pacetti from St. Augustine is a songwriter capable of haunting depth and wry humor in the space of one song. He is an impassioned and ecstatic vocalist, as well as a mesmerizing live performer, seamlessly melding head-spinning guitar pyrotechnics and raw emotion into one breathtaking package. His musical style has been influenced by the great guitarists Chet Atkins and Merle Travis. But it was Gamble Rogers, the legendary picker and raconteur from St. Augustine, who took the young guitarist under his wing for more than a year who was Pacetti’s most influential mentor.

Amy Carol Webb 8:45 p.m. Sat. March 10- Serving as both a musician and a minister, Amy Carol Webb says her life’s path has taken many forks in the road. She was born into a music and ministry family. Her father was a music teacher and a gospel preacher and her mother was a singer and taught Sunday school. The family lived in a lot of places in both Oklahoma and Texas. Music was a part of her family’s daily life. She has a BSE in Performing Arts. After college she toured all over the world and began writing and recording her music. She’s also an educator who has taught music, creative writing, songwriting and life-skills development from the halls of the University of Miami to the cells of maximum security women’s prisons in Florida. In addition to performing at festivals around the country Amy is currently a board certified hospice chaplain and bereavement group facilitator and a minister at the River of Grass Unitarian Universalist Congregation in Davie, FL among many other music and ministry activities. She’s recorded at least 13 albums and is a fan favorite of the Will McLean Music Festival.

2PM 9:30 p.m. Sat. March 10- “2PM” is Pete Price, Pete Hennings, and Mike Jurgensen, a trio of talented musicians who blend their varied musical talents into an eclectic mix of material, from original songs, to obscure covers, to well-known standards. With Price on guitar and bass, Hennings on guitar, bass, mandolin, and violin, and Jurgensen on guitar and harmonica, these three performers combine tight instrumentation with pristine vocal harmonies to delight audiences of all musical tastes. All three are talented songwriters and have performed solo as well as with other bands: Hennings and Price with Jon Semmes and the Florida Friends, and Jurgensen and Hennings with Myriad. The combination of Pete, Pete, and Mike as “2PM”, however, is a unique trio that has delighted audiences at acoustic venues and folk festivals around the state of Florida.  “2PM” has released two CDs: “Keepin’ Time”, and “Let’s Just Play One More.”

Patchwork 10:00 p.m. Sat. March 10- Patchwork is a group of five women who play everything from original Florida folk, country and bluegrass to forties swing and rhythm & blues, all on acoustic instruments! The band hails from Gainesville, Florida, and performs at concerts, festivals, schools, clubs and parties throughout the state.  In addition to adding their feminine Florida flavor to special events at the Appleton Museum in Ocala, the Cummer Museum in Jacksonville and the Sunday Sampler in Dunnellon, they have also been broadcast live on national public television and radio. They are a favorite at the Florida Folk Festival, where they have played for more than twenty years. Members of the band are Cathy DeWitt (vocals and guitar), Jolene Jones (vocals, mandolin and harmonica), Annie McPherson (vocals and bass), Tammy Murray (vocals, banjo, fiddle and guitar) and Janet Rucker (vocals, banjo and guitar).

For more information about the Will McLean Music festival schedule and ticket prices go online to WillMcLean.com

##

A conversation with Margaret Longhill about Will McLean

Margaret Longhill

President Emeritus of the Will McLean Foundation, Margaret Longhill, is credited for her work helping to get the late Will McLean into the Florida Artists Hall of Fame. McLean (1919-1990), considered the “Father of Florida Folk,” was inducted in 1996.

Shortly before his death, Longhill and some of McLean’s closest friends were instrumental in establishing the Will McLean Foundation, dedicated to promoting the work of Florida folk artists and passing along the state’s history through song for generations to come.  Longhill also spearheaded the creation of the Will McLean Music Festival.  The festival, a favorite for Florida songwriters, is held each March at the Sertoma Youth Ranch near Brooksville.

In January of 2016 multimedia producer Donna Green-Townsend sat down with Longhill to have a conversation about her efforts to keep Will McLean’s legacy alive as one of Florida’s premier songwriters and poets.

Click here to go to the Will McLean Festival website

 

 

Winner and finishers of the 2018 Will McLean Best New Florida Song Contest Named

Congratulations to Kathryn Belle Long, the winner of the 2018 Will McLean Best New Florida Song Contest.

Winner Kathryn Belle Long
Winner Kathryn Belle Long

Long’s winning song is, Tallahassee, a song about her hometown.

Long says she has wonderful memories about the red clay hills where she spent her childhood, the same town where her parents and grandparents lived their lives, all in the same house.

Though many people may only associate Tallahassee with state government and FSU football, Long says she wants people to see the beauty of the past and present through her song.

“The red clay is special.  The bone (referred to in her song) represents the Native Americans and my early ancestors who lived there….It’s almost like the history and all the people that went before, their stories come together to give Tallahassee this whole feeling that I get when I walk along the roads and I know it’s so old.”

Long says she loves Tallahassee’s hills and magnolia trees, canopied roads and nearby crystal clear springs.   She also loves how in the springtime the area is so colorful with camellias, azaleas and dogwood in bloom.

Both of her parents were teachers.   Her mother sang and played piano and she says her father, “was one of the best entertainers around, making up stories and funny rhymes on a nightly basis.”  With inspiration from her older brothers Long took up the guitar in high school.  After graduation she and her brother Scott moved to NYC to attend college and pursue a career in musical theatre.  It was in a tiny studio apartment on the Upper West Side she became interested in songwriting. It was also the start of her theatrical journey.  That career included leading roles in world-famous shows at Disney World.

She moved back to Tallahassee in 2009 to be closer to family.

“I feel a very strong tie to this land (Tallahassee) and it took me coming back and realizing how special it is to have roots in such a beautiful place.”

Long is currently a full time performing arts teacher at Swift Creek Middle School in Tallahassee.  She also plays and writes songs with an all-female acoustic trio called, “The Adventures of Annabelle Lyn.”

She’s the lead singer of an acoustic band called, “Belle and the band” which has two full-length albums.  Teaming up with Long are musicians Kevin Robertson (guitar), Mickey Abraham (mandolin) and Mike Snelling (upright bass).  In 2016 the band won a Suncoast Emmy Award for Musical Composition for “Local Routes,” a song Long wrote for WFSU-TV, Tallahassee’s local PBS station. “Local Routes” placed fourth in this year’s Will McLean Song Contest.

Here is Belle and the Band performing the winning song at the Will McLean Music Festival on March 10th, 2018.

2nd place finisher John Butler
2nd place finisher John Butler

The second place finisher is John Butler from South Florida with a song called, Miami Bound, a personal tale of a young man, homeless and without parents at the end of the Civil War, heading south to the promised land.

Butler says his inspiration for Miami Bound came from a conversation he had in an orange grove with  a grower whose family had come to North Central Florida from Georgia after the Civil War, having lost their house and crops to Sherman’s army, “As he was describing his family’s history, his grandfather came along and listened, then added, ‘Now some of the boys got restless ’round here and tuck off to Mia-muh.’  To me, there was a kind of poetry in the way he said the name of the place, and I put that memory into a little corner of my brain for later,” says Butler.

As he researched Florida history, it quickly occurred to him there was no city, village or other municipality named Miami until near the turn of the century.  But, he found an old map of what was to be Dade County, going back to the late 1860s, and there appeared a stretch of land labeled Miami Trace.  “So I tried to imagine this boy, hardened and ultimately disconnected by war, looking to this unseen Shangri-La to the south, a place he’d heard about from older fellows,  as his chance to reclaim himself and start a new life,” says Butler.

Most of Butler’s song writing is inspired by what he describes as serendipity, “…a random phrase uttered by a stranger, a simple gesture evincing a strong emotion, seeing a symbol that conveys a vivid meaning, and sometimes juxtaposing in my head elements of the rational and the absurd into a whole that makes me laugh out loud.  Sometimes the song just blasts out of me, and sometimes the initial impulse has to marinate for years before I begin to develop it into a song.” Butler adds he loves story songs, ” They’re like a three-act play compressed into just a few minutes.  But I also love songs that are more evocative than informative, that create an atmosphere for contemplation.”

Butler is well known in South Florida from playing in a number of bands through the years.  For more than two decades he composed music for industrial marketing films. Butler is no newcomer to the Will McLean Festival. In the 2015 Will McLean Song Contest  he placed second with a song called, “Oh Miami.”

His songwriting achievements also include winning first place in the 2011 North Florida Folk Festival Americana song writing contest, a first place in the 2014 “Hope by Song” song writing competition in southwest Florida, and a win (as one of three co-equal winners) in the 2015 South Florida Folk Festival song writer competition. One of Butler’s songs was included in the soundtrack of the 2013 feature film, “Texas Chainsaw Massacre 3-D.”

Here is Butler singing his 2nd place song at the Will McLean Music Festival on March 10th, 2018.

Butler is also a member of The Honey Creepers, a southwest-Florida-based trio.  He has 3 CDs.  Two of them, “Surprise” and “Vampars” are available on CD Baby.  He also has a CD entitled “Airborne Figures” and a Honey Creepers Band CD, “So Swanky.”

3rd place finisher Jeff Trippe
3rd place finisher Jeff Trippe

The third place finisher in the 2018 Will McLean Song Contest is former Floridian, Jeff Trippe from Yarmouth, ME.  His song, Song of Cedar Key, describes his vivid recollections of a time when he was an undergrad at the University of Florida and he and a close friend would go fishing off of Cedar Key on Florida’s Gulf Coast.

Trippe, who was born and raised in Jacksonville, loves blues, bluegrass, rock and instrumental music of all genres.  While in college at UF he studied creative writing under Harry Crews and Smith Kirkpatrick, two men he credits for his own development as a writer.

He has fond memories of playing in downtown Gainesville at a small venue called, “Reality Kitchen,” the place where he first met the late Will McLean who invited him up on stage.  Later, in 1989 to 1990 Trippe worked as a daily reporter for the St. Augustine Record newspaper.

“And that’s where I got to know Gamble Rogers, a musician who had been a hero of mine since I’d been in high school,” says Trippe.  ” I would see him on St. George Street on his bicycle, and the first time he called me by name, said “Hey there, Jeff, how ya’ doin’?” – well, that was a very proud moment for me. Sadly, by October of 1991, both Will and Gamble had died. I wrote up Will McLean’s obituary as a front page story for the Record on January 19, 1990.”

Trippe currently plays professionally in a country blues trio, a bluegrass band and as a solo performer.  He also teaches literature and writing in the public school system in Maine where he has lived since 2006.

He has been a three-time finalist in the New England Songwriting Contest and placed third in the 2016 Maine Songwriters Association Contest.  Trippe has recorded four albums as a solo artist and a couple of others with a popular Maine folk band called the Mutineers.  Three of his solo albums are made up of original songs, and one,  A Fiddler’s Sojourn is a collection of old-time fiddle tunes.    There’s more about his music and writing online.

“I think it’s very exciting to see the top three songs in this year’s contest are about three very different regions of the state,” says Song Contest Coordinator, Donna Green-Townsend. “The winning song is a waltz about the beauty and history of Tallahassee.  The second place song is about a Civil War soldier heading to Miami after the war and the third place song is about a man reflecting back on fun times during his college days spent fishing out in the Gulf off Cedar Key.  That’s just what the Father of Florida Folk, the late Will McLean, wanted to see happen.  He wanted to “save Florida through music.”

Addendum:  Since the 1st place winner also placed 4th in the contest, we’re adding her performance of the song on this post as well.  Here is Kathryn Belle Long with Belle and the Band performing, “Local Routes.”

The fifth place finisher in the contest, Mary Elaine Mahon made an appearance at the festival as well with her song, “Sweet Florida.”

The festival is an annual music event which honors the late Father of Florida Folk, Will McLean.  For more information about the festival, go online to https://willmclean.com/

Click here to go back to the Will McLean Festival Web Site

or

Click here to go back to the list of winners by year

Apalachicola Documentary

Official website of the Murrow Award-Winning Documentary, “Apalachicola Doin’ Time” and various updates

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Rally for Apalachicola Bay in August before a Senate field hearing on the health of the bay. (photo by Donna Green-Townsend)

Tuesday, January 9, 2018 UPDATE: The U.S. Supreme Court began hearing arguments on Monday in the 30-year-old water dispute involving Florida, Georgia and Alabama known as the Tri-State Water War. Molly Samuel from public radio station WABE in Atlanta attended the oral arguments.  Click to hear her report.

June 1, 2017 UPDATE:  Florida asks U.S. Supreme Court to Save Apalachicola River, Oyster Industry:

TALLAHASSEE — Florida is telling the U.S. Supreme Court that it represents the state’s last legal remedy for saving the Apalachicola River and the oysters and people who depend on it.  Gov. Rick Scott in 2013 sued Georgia in the Supreme Court, seeking to cap Georgia’s water use upstream on the Chattahoochee and Flint rivers. But a court official recommended in February that the case be dismissed because Florida had not included the Army Corps of Engineers, which operates federal reservoirs on the Chattahoochee River. In a brief filed Wednesday, Florida argues that the court had never found that a state was harmed by upstream water use but then determined it was powerless to do anything about it. If the court dismisses the case, Georgia would be free to continue or increase its water use, Florida said. ….Click here for the full story.

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October 2013 UPDATE:   Florida Governor Rick Scott and Florida Attorney General Pam Bondi have moved forward with their plans to file a lawsuit in the U.S. Supreme Court over the decades old Tri-State Water War.  The lawsuit is primarily aimed at Georgia over that state’s withdrawals of water from the Chattahoochee-Apalachicola-Flint River system—a river system Alabama, Florida and Georgia all share.  At the heart of the ongoing debate is the health of Apalachicola Bay and Florida’s seafood industry.

Apalachicola Doin' Time

Click here to view highlights of the Senate field hearing held in Apalachicola on the issue in August of 2013. To learn more about how the Apalachicola community is affected by the “water war” listen and view segments below:

2000 Edward R. Murrow Award Winning Documentary

Pic I took at Apalachicola off Paddlewheel used for CD cover later
Fishing boats along the Apalachicola River bayfront (photo by Donna Green-Townsend)
Donna voicing the "Apalachicola Doin' Time" documentary at WUFT with co-hosts Daniel Beasley and Josh Azriel in 1999
Donna voicing the “Apalachicola Doin’ Time” documentary at WUFT with co-hosts Daniel Beasley and Josh Azriel in 1999
Now available: The full written transcript of the documentary with photos.
Introduction- to Re-Release of the Documentary Part One- The Issues
Part Two- Florida’s Oyster CapitolPart Three- Apalachicola’s Waterfront
Part Four- Water Quality and the Tri-State Water WarPart Five- Apalachicola’s History
Part Six- Tourism on the RisePart Seven- Water Quantity and the Tri-State Water War
Part Eight- Close and CreditsPart Nine- Epilogue

The Producers of Apalachicola Doin’ Time- (from left to right) Daniel Beasley, Joshua Azriel, Donna Green-Townsend and Bill Beckett)

Musicians Featured In Apalachicola Doin’ Time (featuring a sample of their music)

Dale Willfest 2001
Dale Crider

Dale Crider – Apalachicola Doin’ Time

"Changes In The Wind" Jeanie Fitchen
Jeanie Fitchen

Jeanie Fitchen – Changes In The Wind

"The River" Steve Gillette
Steve Gillette

Steve Gillette – The River

"Music Drifts" and "Margaret" Mike Jurgensen
Mike Jurgenson

Mike Jurgensen – Music Drifts

and Margaret

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Harvey Reid

Harvey Reid – Circles

ken skeens
Ken Skeens

Ken Skeens – Old Florida River

 
"Wisdom of the River" Mark Smith
Mark Smith

Mark Smith – Wisdom of the River

Various locations around Apalachicola, Florida and some of the people interviewed for the documentary.

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Musical Murrow Celebration

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Just prior to the RTDNA Murrow Award ceremony in Minneapolis, MN, singer songwriter Mark Smith had a celebration at his home which included several of the songwriters who had music utilized in the documentary. In this video Dale Crider sings the song that inspired the documentary.

Holding a portrait given to him by Donna Green-Townsend and George Floyd painted by Mary Ann DiNella
Crider holding a portrait given to him by Donna Green-Townsend and George Floyd painted by Mary Ann DiNella

For more than three decades Dale Crider worked as a wildlife biologist for the Florida Game and Freshwater Fish Commission.  During that time he also followed his other passion, songwriting.  Crider wrote many songs about environmental conditions in Florida.  “Apalachicola Doin’ Time” was one such song.  It was by chance nearly 30 years after Crider penned the song that Apalachicola resident, George Floyd, happened upon one of Crider’s music tapes and heard his song.  On that day the concept for the need to tell the story of the Tri-State Water War was born.  Crider is considered to be Florida’s Environmental Troubadour.  He has inspired musicians across Florida to write songs about the environment.

Listen to an hour-long special on Across the Prairie on WUFT regarding the Re-release and update of the Apalachicola Doin’ Time Documentary Dale and documentary co-producer Donna Green-Townsend were special guests on the longtime Sunday afternoon program on WUFT, Across the Prairie with host Cathy DeWitt.  Click on the audio button below.

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Cover of Apalachicola Doin’ Time CD

Copies of the two-CD set of “Apalachicola Doin’ Time,” including the music companion CD, are available through the non-profit Will McLean Foundation. Will McLean is considered the “Father of Florida Folk.”  He’s the first folk artist inducted into the Florida Artists Hall of Fame.  It was his mission to save Florida through music.

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In 2001 several of the musicians whose songs were used in the documentary were featured at not only the Will McLean Festival (March, 2001) but also the state’s official festival, The Florida Folk Festival (May, 2001). Click on the audio button below to hear the live presentation at the Will McLean Festival.  The late Jan Glidewell, longtime columnist with the Tampa Bay Times, introduced Donna Green-Townsend who hosted the special musical event.

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The late Homer Marks from Apalachicola

One of the key characters of the documentary, Homer Marks, lived to be 102.  (Homer died in 2005).  Click here to go to a special page dedicated to Homer Marks.

Dale Crider, Josh Azriel, Donna Green-Townsend and George Floyd and friend
Dale Crider, Josh Azriel, Donna Green-Townsend and George Floyd and friend

Funding for the “Apalachicola Doin’ Time” documentary was provided by a grant from George Floyd in memory of Jim Floyd and George Kirvin, two of the earliest heralds of the rivers and bays and their value as an undisturbed natural resource.

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Apalachicola Documentary Awards

1st Place National RTDNA Edward R. Murrow Award, Best Documentary

1st Place Southeast Regional RTDNA Edward R. Murrow Award, Best Documentary

1st Place Florida Associated Press Broadcasters, Public Affairs category

Silver Reel from the National Federation of Community Broadcasters, documentary category

Finalist, Atlanta Chapter of the Society of Professional Journalists, Green Eye Shade awards (Southeast 11 state Region)

Finalist, Society of Professional Journalists Sunshine State Awards, Public Affairs category

1st Place, BEA Student Interactive Multimedia competition in the Online category

Silver Addy in the Collateral Material – CD Category for the Apalachicola Doin’ Time CD cover, insert and tray card.

Some of the stations that have carried Apalachicola Doin’ Time:

KBAQ Mesa, Arizona
KBOO Portland, Oregon
KERA Dallas, Texas
KJZZ Phoenix, Arizona
Utah Public Radio/KUSU FM Logan, Utah
WABE Atlanta, Georgia
WETS Johnson City, Tennessee
WFSU Tallahassee, Florida
WFSW Panama City, Florida
WJUF-FM Inverness, Florida
WKGC Panama City, Florida
WQCS  Asheville, North Carolina
WSLU Canton, New York
WUFT-FM Gainesville, Florida
California Public Radio
Georgia Public Radio

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Documentary Summary by- Co-Producer, Donna Green-Townsend Two hundred yards below the Appalachian Trail in Georgia, the waters of the Chattahoochee River begin a 500 mile journey south.  The river flows each day through Atlanta, past Western Georgia cities like Columbus and along the state boundary between Georgia and Alabama — past more than a dozen dams and locks on the way to the Gulf of Mexico.  At the Florida-Georgia border the Chattahoochee meets up with Georgia’s Flint River and  takes on a new name –The Apalachicola. Sixteen billion gallons of water flow down the Apalachicola into the Bay every day making it Florida’s largest waterway and it’s at the heart of a tri-state water war.

This documentary is an audio journey to the community at the end of the drainpipe so to speak — Apalachicola: a Florida seafood community that worries about being at the mercy of its northern water using neighbors. We journey to the city’s famous waterfront, hear about the history of this unique river town and find out how the community’s affected by the rapid development of ecotourism and growth.  We also talk with the key negotiators involved in the current water war involving Alabama, Florida and Georgia as the clock ticks down on a deadline to resolve differences over shared river resources.

There’s a lot at stake for all three southern states: rapid growth in Atlanta creates a strong need to secure drinking water for the future. Farmers want to maintain the ability to irrigate their crops, Alabama residents want to maintain peak hydro power and navigational use, and in Florida, at the end of the Apalachicola River, the seafood industry worries about the future of its oysters, scallops, crabs and shrimp.

To read the full written script with photos click here.

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 Update: U.S. Senators Nelson and Rubio Hold Senate Field Hearing in Apalachicola while Governor Rick Scott says Florida will file a lawsuit seeking to limit the amount of Apalachicola headwaters Georgia can use. (aired August 13, 2013)

Apalachicola’s oyster industry see historic collapse in 2012 from drought and salinity  (originally aired April 26, 2013)

The severe drought in 2012 caused an historic collapse of Florida’s oyster industry.  During the past year a variety of state agencies have been working for the Florida Sea Grant Program to try and understand all the causes for the fishery disaster.  The cooperative effort is working toward designing a plan to help restore and manage the industry in the future.  WUFT’s Donna Green-Townsend talked with the Director of the Florida Sea Grant College Program, Karl Havens, who is heading up the University of Florida’s Oyster Recovery Team, about the findings outlined in the group’s special report this week.

Links to Environmental Data

United States Geological Service — Water Resources of Georgia: The overall website for the USGS water resources program in Georgia. Links to a variety of pollution data, answers to common questions and USGS publications.

Upper Chattahoochee River Keeper: The website of the non-profit organization that keeps tabs on everything that deals with the Chattahoochee, including a section on tri-state water issues. Background information on the river, legal issues, and information about joining the group.

Georgia Department of Natural Resources: An extensive section on Georgia’s plan to deal with water issues among the three states

Alabama Department of Economic and Community Affairs: The specific details of Alabama’s water plans for the ACF river basin and the Alabama-Coosa-Tallapoosa River basin.

Apalachicola Chamber of Commerce: The online home to the Apalachicola area. Find out about the historic nature of “Florida’s Forgotten Coast.”

Tupelo Honey: The largest and densest stands of Tupelo trees grow in the swamps of the lower Apalachicola and Chipola Rivers. Nowhere are Tupelos so dense that honey can be made from and certified pure Tupelo.

Florida Department of Environmental Protection: The site provides the latest information on proposed environmental legislation, appointments, and programs.

Apalachicola National Estuarine Research Reserve: The Apalachicola Reserve includes two barrier islands and a portion of a third. The Reserve also includes the lower 52 miles of the Apalachicola River and its associated floodplain, small portions of adjoining uplands, and the Apalachicola Bay system. The overall high water quality of the Apalachicola estuary, with the combined effects of other factors, provide the ideal living conditions for estuarine biota and have resulted in the creation of a highly productive estuarine system. The myriad of habitats found within the Reserve support a wide range of plant and animal species, many of which are threatened or endangered.

Apalachicola River and Bay Ecosystem Plan: A 183-page plan to balance human needs with wildlife needs. Developed by Florida State University for the Florida Department of Environmental Protection and the Army Corp of Engineers.

Corps of Engineers: The various recreation sites on the Chattahoochee, Flint and Apalachicola river system, including various lakes, locks, dams, and campgrounds.

Read the original 1999 interviews with key players in the tri-state water war:

Sally Bethea — Executive Director of Upper Chattahoochee River Keeper

Matt Kales — Program Director at Upper Chattahoochee River Keeper

Robert Kerr — Director, Pollution Prevention Assistance Division, Georgia Department of Natural Resources

Steve Leitman — Environmental Scientist, NW FL Water Management District

Woody Miley — Director, Apalachicola National Marine Estuary

Lindsey Thomas — Federal Commissioner of the ACT – ACF River Basin Commission

Now available: The full written transcript of the documentary with photos.

Archival material: Florida folk musicians and Vassar Clements record “Old Folks At Home”

In 1997 fiddler Vassar Clements and a variety of musicians and singers gathered in a mobile studio at the Florida Folk Festival in White Springs to record Florida’s state song, “Old Folks At Home” by Stephen Foster. The recording engineer in the mobile studio was Jim Bickerstaff. Florida Artists Hall of Fame winner, Frank Thomas, suggested the recording idea. Thomas is known for closing out the River Gazebo Stage each year at the Florida Folk Festival by singing all verses of the Florida state song. In this recording he leads the chorus. Other musicians include Clyde Walker, Sonny Edwards and Ron Litschauer. Various singers added their voices including Mary Ann Dinella, Donna Green-Townsend, Grant Livingston and Priscilla Bingham Hall.  (If you were a participant in this unique endeavor contact Donna at dgtmultimedia@gmail.com to be included in the credits.)

Here is that incredible audio with archival video added of the Suwannee River showing short video clips and pictures taken of the river and performances on the Ann Thomas River Gazebo Stage in White Springs.

Fostering Baby Squirrels

It’s that time of year again…when hundreds of baby squirrels begin to venture out from their nests. Unfortunately, many end up falling from trees and become easy prey when encountering the jaws of cats and dogs.

Many also are lucky enough to be rescued by willing volunteers who either take care of the furry critters themselves or who take them to such wildlife help groups as Florida Wildlife Care.

Donna Green-Townsend shares the experience of fostering baby squirrels. Green-Townsend has fostered more than 30 baby squirrels. In this video produced by one of her former broadcast students, Trimmel Gomes in 2005, she introduces the viewer to squirrels she has successfully released into the wild in Alachua County, FL.

As Hurricane Harvey barrels down on TX, FL remembers past history

Hurricane Harvey on Friday, August 25, 2017 off the coast of Texas

Residents all along the coast of Texas are bracing for Hurricane Harvey expected to come ashore either late tonight or early Saturday morning. At 7:30 p.m. forecasters with the National Hurricane Center reported winds are sustained at 130 mph making Hurricane Harvey a category 4 storm.  Catastrophic flooding is expected due to heavy rainfall and storm surge.  The hurricane is moving to the northwest at 10 mph.

Hurricane Harvey 539 8 25 2017Because current weather patterns moving across the country will block the storm from moving north, weather specialists predict rainfall amounts could total as much as 35+ inches in areas closest to landfall and 15 to 20 inches in a widespread area of southern Texas. The system could also stick around until early next week and move along the Louisiana coast dumping more rain.  Mandatory evacuations are already in place and highways are packed with motorists fleeing inland ahead of the hurricane.

 

Boats washed ashore from Hurricane Hermine (photo credit AP)
Boats washed ashore from Hurricane Hermine (photo credit AP)

Floridians watching the reports about Hurricane Harvey headed toward Texas remember all too well the damage caused by last year’s Labor Day Hurricane Hermine  followed by Hurricane Matthew that skirted across a major section of the state’s east coast.

 

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Many beach communities are still recuperating from the beach erosion and damage caused by the storms to highways, roads, piers, homes and other infrastructure.

Twelve years ago Hurricane Wilma took a hard right-hand turn from the Yucatan and made a beeline for South Florida as a Category 3 storm with winds at 120 mph before it made landfall near Cape Romano, FL on October 24th, 2005.  Just a year before Wilma, 2004 became one for the history books as Hurricanes Charley, Frances, Jeanne and Ivan wreaked their havoc on the Sunshine State.

It was also 12 years ago on August 29th when Hurricane Katrina hit the Gulf Coast near Buras, Louisiana and took its toll on New Orleans and the Mississippi coastline, becoming one of the most costly storms in U.S. history.  According to NOAA, the damage estimates from Katrina reached $108 billion dollars.  The official death toll from Katrina is 1,200 making it the 3rd deadliest storm in history behind the 1900 hurricane which hit Galveston, TX leaving 8,000 dead.  The 2nd deadliest storm was the Lake Okeechobee storm in Florida in 1928  killing approximately 3,000 people.

 

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Scene from the aftermath of the 1900 hurricane that struck Galveston, TX

 

For Floridians who lived in South Florida during Hurricane Andrew, the thought of any tropical system brings back painful memories.

 

Hurricane Andrew, August 1992
Hurricane Andrew, August 1992

 

 

It was on August 24th, 1992 when the catastrophic storm struck Homestead and South Florida with winds of 150 miles an hour with gusts up to 175 miles an hour.  Andrew is listed as the 4th worst hurricane to hit the United States with a damage total of more than 25-billion dollars.  Nearly four dozen people were killed.

 

In 2011 Homestead resident (and former mayor) Steve Bateman, talked with Donna Green-Townsend about living through Hurricane Andrew and how Homestead has worked toward economic recovery.  At the time of the interview, Hurricane Irene was churning in the Atlantic. (from Donna’s audio archives).


truck carrying victims of 1928 hurricaneFlorida has experienced many devastating hurricanes through the years.  Some of the worst storms didn’t even have names.  The 1928 Category 4 storm that pushed Lake Okeechobee over its banks offically killed 3,000 people, but is believed by many to have drowned 4,000 souls.  Many were migrant workers who ended up in mass graves following the storm….some marked and some unmarked.  There are many accounts from people recalling the storm describing how they were tied to trees by their families so they wouldn’t be swept away.

The late singer songwriter Will McLean wrote his most famous song about that tragedy.  “Hold Back The Waters” has become somewhat of a Florida anthem in folk circles.  McLean was the first folk artist inducted into the Florida Artists Hall of Fame. See a video of the late singer-songwriter singing his famous song below:

 

 

The 1928 storm was before television and the weather channel so there was no real advance knowledge about the hurricane. It’s been written that the Seminoles living in Florida may have warned the storm was coming but people didn’t pay attention.  This storm is the reason there is now a dike all around Lake Okeechobee in South Florida. As the category 4 hurricane moved inland, the strong winds piled the water up at the south end of the lake.  Ultimately the weaker earthen levee gave way flooding an area 6 miles wide and 75 miles long.