The winner and 2nd and 3rd place finishers in the 2027 Will McLean Best New Florida Song Contest are Paul Garfinkel, Trevor Bystrom and Jamie Granger. All three will perform their winning songs at the 2027 Will McLean Music Festival March 12th – March 14th at the Florida Sand Music Ranch near Brooksville, FL. Let’s meet the musicians:
Paul Garfinkel has been a Florida based singer-songwriter for more than 40 years, taking much of his lyrical and melodic inspiration from the people, places, and history of the Sunshine State. His winning song, Stowe, is about Harriet Beecher Stowe, who spent many winters in Mandarin, Florida (now a part of Jacksonville) on the Saint Johns River. She was an advocate for civil rights and hoped to lure “liberal” thinking northerners to Florida and establish a forward-thinking population sympathetic to people of color. She wrote travel pieces to do that. She also wrote Uncle Tom’s Cabin. When she met President Lincoln, it is speculated that he said “So this is the little woman who began this big war.”
Garfinkel, before moving to Deland, FL, lived in Jacksonville for 30 years where he performed as a solo and duo act, releasing his first CD, Good Enough For Me in 1996. That album was named a top ten independent release by WDIY radio and the title cut was arranged and recorded by the Sons of Bacchus a cappella choir at Yale University.
In 1998 Paul teamed up with fellow Floridian Al Scortino to form The Ashley Gang band, that quickly became a popular addition to the regional folk / Americana music scene. The band was selected as a favorite performer by the Folk DJ group at the 2000 International Folk Alliance conference, has released three CDs, and continues to perform around the southeast. Paul has won seven songwriting awards from the Will McLean Foundation, including first place for his song The Creek in 2000. The Creek has also been the subject of a segment on the History Channel UK, used as soundtrack by an Australian videographer, and used as soundtrack for publicity videos for the Marjorie Kinnan Rawlings Historic Site in Cross Creek, Florida.
Paul has also been a finalist in the South Florida Folk Festival songwriting contest. He has recorded two additional solo CDs – Songs From Sand Lake, and The Last Good Mile, on Gatorbone Records. Paul continues to write and perform as a solo artist, a duo with his wife, Kay, and in various other configurations, including the full Ashley Gang. In addition to his decades as a performer, Paul produced the “Sundays At Stetson’s” concert series in Jacksonville for ten years, and a new series at Northwest Square in DeLand, where Paul and Kay have lived for the past ten years, and where Paul has been the music coordinator for the DeLand Unitarian Universalist Church. He has been a regular at the Will McLean Festival for 30 years.
2nd Place Finisher Trevor Bystrom- 7 Mile Island
Second Place Finisher Trevor Bystrom from Bradenton, FL is a world music singer/songwriter and producer born and raised on Anna Maria Island, Florida. He wrote his song 7 Mile Island about his grandfather Hugh Holmes. Hugh was born and raised on Anna Maria Island and lived 96 years there. This is where Bystrom’s family comes from and is a big reason for his music taste and background. He says his song, “brings you into the perspective of his grandfather and the life on a small island as it changes over the years.”
Bystrom is known for delivering captivating and eclectic live performances with his soulful vocals and finger-style guitar skills. Drifting from Reggae, Calypso, Bossa Nova, Funk and off into Folk, Americana and Blues, he delivers diverse performances as an intimate solo artist, acoustic rhythmic trio as well as his high energy full band “Rooster Xing” to really bring the sound. He will be performing Sunday Nov 15th at the Florida winter music festival.
3rd Place Finisher Jamie Granger- O Wacissa
Jamie Granger from Miami is a singer-songwriter who has lived in North, South, and even some middle parts of Florida. His song O Wacissa placed third in the contest. Critics write that his songs charm listeners with warm vocals, rich melodies, and poetic vignettes that seem drawn from real life. Granger’s passion for music began when his kindergarten teacher showed up with a ukulele – he’s been hooked ever since. He says it wasn’t until Covid that her began to work seriously on his guitar technique and write and perform his own songs.
On True Hearted Kind, his debut album for Y&T Music (2025), Granger shares a set of winsome tunes that tell stories with both warmth and humor, his words and melodies intertwined with intricately finger-picked acoustic guitar. He says he was inspired by his music heroes John Prine, Leo Kottke, Nick Drake and early Bob Dylan, along with 1920s string bands like Charlie Poole’s North Carolina Ramblers. You can learn more about Granger’s music at: www.jamiegrangermusic.com
4th Place Finisher Bear and Robert, Jacksonville, FL- Don’t Feed The Monkeys
5th Place Finisher (Tie) Dale and Lisa Dollar, Tallahassee, FL- Florida Cowboy
5th Place Finisher (Tie) Scott Singer, Midland, GA- Take a Picture
6th Place Finisher Doug Burns, Venice, FL- When It’s Gone It’s Gone
7th Place Finisher Dale and Lisa Dollar, Tallahassee, FL- Ichetucknee
8th Place Finisher Bear and Robert, Jacksonville, FL- Mighty River
9th Place Finisher Sharon Osuna, Rockledge, FL- The Night the Sunshine Froze
10th Place Finisher Craig Reeder & Adrian Fogelin, Tallahassee, FL- In Florida
It was well known that Lee could be frequently found on Orange and Lochloosa lakes throwing a shiner net, dipping for grass shrimp, putting out a trot line for catfish, or sniffing out and fishing bream beds. Lee may have spent more time on the lakes than he did on dry land. He was a natural at imitating the calls of the Creek’s wildlife. He loved his birds, critters, and his cat, ‘Possum. When encountering Lee, he was bound to be barefoot, with a mischievous smile and a twinkle in his eye. He was known to some as the Honorary Mayor of Cross Creek.
The first video below features a song made by one of his daughters, Jessie Armstrong, showing photos and videos of her dad and the Creek and the lakes through the years, with the assistance of AI.
This second video shares photos and videos of his life and family through the years.
Dorsey Lee Townsend, Jr. departed this life on August 11, 2026 in the place he loved, Cross Creek, Florida. Lee, as he was known, was born in Gainesville, Florida on October 31, 1954, and lived nearly all his life in Cross Creek. He was a graduate of Hawthorne High School in Hawthorne, Florida. He served in the United States Air Force during the Vietnam War from 1972 to 1975. He was an aircraft maintenance technician and served as a crew chief for A-7D jets while stationed at the Korat RTAFB in Thailand. Lee attained the rank of Airman First Class prior to his deployment in 1973.
Lee retired as a Park Ranger from the Marjorie Kinnan Rawlings Historic State Park in 2020. Visitors, coworkers, and friends fondly recall his enjoyment in sharing his knowledge and stories of the Creek. Prior to working as a Park Ranger, Lee was employed at the University of Florida from 1989-2003. He held a variety of positions there, including mechanic at Coastal Engineering. Among other things, he was also a commercial fisherman, following in his father’s footsteps. His father also worked for Marjorie Rawlings, and was one of the Townsends immortalized in her book, Cross Creek. Lee was very proud of this history.
He was known to some as the Honorary Mayor of Cross Creek. Lee may have spent more time on Orange and Lochloosa Lakes than he did on dry land. He was a natural at imitating the calls of the Creek’s wildlife. He loved his birds, critters, and his cat, ‘Possum. When encountering Lee, he was bound to be barefoot, with a mischievous smile and a twinkle in his eye. When he wasn’t on the lake or in the woods, Lee enjoyed listening to music and playing guitar. He was a genius with crossword puzzles and was known for his “Leeisms.” He frequently called his wife and kids “just to tell you I love you.”
Lee was preceded in death by his parents, Dorsey Lee Townsend, Sr. and Marietta (Ford) Townsend; his brothers Robert “Bobby,” Garry Joe; and sister Opal. He is survived by his wife of 40 years, Donna Green-Townsend; his children, Ellie (Andy Johnson), Jessie (John Armstrong), Dorsey Lee Townsend, III; and five grandchildren: Emeline, Johnny, Connor, Emma, and one on the way. He is also survived by his brothers, Ray (Charlotte), John (Kathy); sister Linda (Jim); and many nieces and nephews.
A celebration of life will be held on Saturday, August 22 at 11 a.m. at the New Cross Creek Baptist Church in Cross Creek (18921 Co. Rd. 325, Hawthorne, FL 32640). A private burial will be held at the Townsend Cemetery at a later date. In lieu of flowers, donations can be made to the New Cross Creek Baptist Church.
Excerpts from Donna Green-Townsend’s remarks at the Celebration of Life for Claude Jarman held on February 5, 2026, in San Francisco, CA. The video also includes a short film highlighting moments from his life. Jarman won an Oscar for his role as young Jody Baxter in the classic MGM film The Yearling in 1947. The movie, partially filmed in the Ocala National Forest in Florida in 1945, was based on the Pulitzer Prize winning novel by Marjorie Kinnan Rawlings. The movie, directed by Clarence Brown, received a total of seven Oscar nominations including Best Picture. Gregory Peck and Jane Wyman received Oscar nominations for Best Actor and Best Actress. In addition to Claude Jarman’s academy award the The Yearling also received Oscars for Best Cinematography and Art Direction.
To see the full 58-minute documentary online click here: PBS.org
You can stream the documentary on the free PBS app on your television by typing the word yearling in the search box. You can also view the documentary on the WUFT-TV passport. (PBS stations can download the free broadcast version from NETA through July 2026).
DVDs of the documentary are now available for $20 plus $5 for postage and handling. All proceeds benefit projects on the farm. Please make your check payable to the Friends of the Marjorie Kinnan Rawlings Farm, Inc., and mail to P. O. Box 337, Micanopy, FL 32667-0337.
Marjorie Kinnan Rawlings
The Yearling novelMGM movie crew in 1945 in FL
From Novel to Movie: The Yearling in Florida is also being distributed to more than 350 PBS stations via NETA, The National Educational Telecommunications Association. Check local listings in your area for availability.
From Novel to Movie: The Yearling in Florida takes an inside look at a classic movie as well as the award-winning classic novel which inspired the film with the people who lived the story. The documentary shares oral histories from some of the actors and stand-ins who were featured in the Oscar-nominated MGM Classic, The Yearling, the coming of age story about a post-Civil War backwoods Florida family who raised an orphaned deer which leads to heartbreaking conflict.
Jane Wyman, Claude Jarman, Jr. and Gregory Peck
2022 marked the 75th Anniversary of when the film was honored at the Academy Awards with seven Oscar nominations, including Best Picture and Best Actor nominations for Gregory Peck and Jane Wyman. The Yearling took home Oscars for Cinematography and Art Direction and Claude Jarman, Jr. received a Juvenile Acting Oscar for his role as young “Jody Baxter” in the movie.
The Yearling, directed by Clarence Brown, was based on the 1939 Pulitzer Prize-winning novel by Marjorie Kinnan Rawlings. The documentary, From Novel to Movie: The Yearling in Florida features many unique home movie clips recorded by actor Gregory Peck during the time he was working on the film in the Ocala National Forest in Florida in 1945.
(l to r) Bobby Randall and Claude Jarman, Jr.Gregory Peck and Claude Jarman, Jr.Gregory Peck, Jane Wyman and Claude Jarman, Jr.
The documentary also includes extensive interview segments with Oscar winner Claude Jarman, Jr. who played young Jody Baxter in the MGM film. Memories from Florida residents who served as stand-ins for Peck and Jarman as well as some of the people who worked on the movie set in Florida’s scrub country are also featured.
We are so thankful to Claude Jarman, Jr. for providing photos and most of all his insight on the making of the classic film. We are also appreciative of The Gregory Peck Foundation for providing home movie clips recorded by Gregory Peck while he was filming in Florida and California in 1945.
Sadly, Claude passed away on January 12, 2025. We also lost his stand-in for the movie, East Marion County resident Bobby Randall who passed away on May 22nd of 2025. In addition, on October 19th of 2025 Lawrence Kinsey from East Marion County passed away. Lawrence worked behind the scenes of the MGM movie set in 1945 in the Ocala National Forest. We are so thankful all three shared their memories of working on this classic film. RIP Claude, Bobby and Lawrence. You will all be missed. To watch excerpts of the “Celebration of Life for Claude Jarman” held on February 5th, 2026 in San Francisco, CA click here:
To see the full 58-minute documentary online click here: PBS.org
The documentary is also available on the PBS app by typing in the word Yearling in the search box. You can also view the documentary on the WUFT-TV passport. PBS stations can download the broadcast version from NETA. You can view the first five minutes of the documentary below:
Meet the people behind the documentary below
Marion Theatre QA, Dec. 2021Donna and Claude, QA, Dec. 2021Donna and Claude, Yearling Restaurant, Cross Creek, FL, Dec. 2021
The producer of the documentary is award-winning journalist Donna Green-Townsend. She has more than 50 years of radio and television experience and is the recipient of a National Edward R. Murrow Award for documentary production as well as numerous state and regional journalism awards. In December of 2021 she interviewed Claude Jarman, Jr. on stage at the Marion Theatre in Ocala, FL before a showing of the original movie The Yearling.
Documentary Producer Donna Green-Townsend
Kathy with Bobby RandallKathy, Claude Jarman, Jr. and Bobby RandallKathlyne Walkup Sheppard
The co-producer is Kathlyne Walkup Sheppard whose knowledge, relatives and acquaintances from the “Big Scrub” were invaluable to the project. A big thank you goes to members of the Friends of the Marjorie Kinnan Rawlings Farm Board for ongoing support on this project.
In 2024, Kathlyne and Donna received the Florida State Parks Foundation Award for Long-Term Special Project of the Year for Exceptional Service and Dedication Documenting and Preserving Cultural Heritage for their work on the documentary.
In 1939, Marjorie Kinnan Rawlings won the Pulitzer Prize for her novel, The Yearling. Her inspiration for the novel came from time spent with people who lived in the “Big Scrub.” Marjorie’s friend Leonard Fiddia, who did work for her, lived along the Ocklawaha River. He sold and taught her how to make moonshine. She stayed with the Fiddia family to gather material for her book South Moon Under, her first novel. Leonard Fiddia introduced her to Calvin Long in the forest. It was his brother Melvin Long who had a pet deer. That’s where The Yearling story began. Melvin’s experience with his pet deer became the story of Jody Baxter. Marjorie’s inspiration for her character Fodderwing in the novel came from meeting Rodney Slater. Rodney, the son of her friend “Widow” Slater in Cross Creek, suffered from physical disabilities.
Leonard Fiddia who introduced MKR to Calvin LongCalvin Long who told MKR about his brother Melvin’s pet deerMelvin Long who raised a pet deerRodney Slater who inspired MKR’s Fodderwing character
MGM bought the film rights and began production on the movie version in 1941 in the “Big Scrub” of the Ocala National Forest in Florida. A variety of East Marion County residents were hired to work on the set in the forest, including Richard Mills. That first effort to make the film was scrapped when actor Spencer Tracy decided to head back to California. Near the end of WWII, a new cast and crew headed back to the forest in 1945. That crew included Gregory Peck as Penny Baxter and Claude Jarman, Jr. as Jody Baxter. Once again, many East Marion County residents found work as either stand-ins for the key actors or took jobs working on the set. Alva Kinsey, Sr. was Gregory Peck’s double and Bobby Randall was Claude Jarman, Jr.’s stand-in. Lawrence Kinsey and Freeman Godwin were hired to work on the film set while others like Jack Owen helped catch fawns for use in the movie getting paid $25 by MGM for each fawn they used during the filming. Here are photos of some of those East Marion County residents.
Young Richard MillsRichard Mills at 100Ethelyne and Jack OwenYoung Bobby Randall and Claude Jarman, Jr. in 1945Claude Jarman, Jr. and Bobby Randall meet after 75 yearsYoung Alva Kinsey, the double for Gregory PeckAlva Kinsey, in his 90sThe younger Lawrence KinseyLawrence Kinsey in his 90sFreeman Godwin, worker on the setHarold “Bunk” Peebles took Gregory Peck down the Silver RiverJ. Robert Peebles, Jr. took Gregory Peck down the Silver River
Fawn (photo by Marian Crawford)
Thanks to the folks who helped tell the story of From Novel to Movie: The Yearling in Florida. Here are photos of the key people who shared their knowledge for the documentary.
MKR Archivist Florence TurcotteKathlyne Walkup Sheppard, documentary co-producerJennifer Pohlers, Media Specialist and granddaughter of Richard MillsBarney Sullivan, Grandson of Barney Dillard, MKR’s bear hunting companionCeleste Godwin Viale, Marion County HistorianAlva Kinsey, Jr.
Ellie Townsend
And last but not least, thanks to Ellie Townsend for her editorial assistance.
Music Selections in the Documentary:
I am especially thankful to the Florida musicians who provided the music we featured in the program. Most of these music pieces are original works created for the documentary . Listen to the music below:
Mickey Abraham- two original mandolin solos
Sue Cunningham and Frank Serio who wrote “Restless Wind”/Shiloh Rising Music ASCAP
performed by Lis and Lon Williamson, Gabe Valla and Christian Ward
The winner of the 2026 Will McLean Best New Florida Song Contest is Gainesville songwriter, Daniel Stepp with his original song, All The Way Around. Stepp says he got the idea for the song after reading a book called, Ditch of Dreams written by two of his colleagues- Steven Noll and Stepp’s friend Dave Tegeder. The book told the story of the proposed Cross Florida Barge Canal. “We had some great conversations about it on drives to music shows and I owe this song to him.”
The original plan was to have a barge canal system that would connect the St. Johns River to the Withlacoochee River by way of a much altered Ocklawaha River. In the end the canal system would have saved boats from having to travel for three days around Florida to ship their goods. “Otherwise they had to go all the way around, hence the song title,” says Stepp.
“Like any story of “progress,” economic and industrial gains are sometimes at odds with ecological and human concerns. What would have been a catastrophic ecological disaster for Florida springs, rivers, and potentially the entire aquifer, was shut down in large part because of the activism of Marjorie Harris Carr,” says Stepp.
Now where the barge would have gone is a greenway named after Carr with 70,000 acres and 300 miles of trails for hiking, biking, and a wildlife corridor.
Stepp added, “It struck me that we could be living in a radically different state had the project succeeded and we owe the incredible nature we inhabit to folks who fought to keep it that way. They helped educate the public on the value of what we have and the fragility of our ecosystem.”
His song, All the Way Around also addresses some of the violence that happened in the 1930s during the initial efforts to dig the canal.
“A labor organizer named George Timmerman, who had come to Ocala to institute worker protections, was rounded up and later found crucified to a cypress tree. His lips were sewn shut as a warning to union organizers. I started the song with that event, and closed it with the recognition of Marjorie Harris Carr.”
Stepp points to other great songs about the price of progress such as Woody Guthrie’s Pastures of Plenty, John Prine’s Paradise and Joni Mitchell’s Big Yellow Taxi. “It’s the same tale of what we lose for what we gain. For now at least, it feels like we won this one.”
Stepp says his songwriting draws on influences of folk, traditional country, blues, bluegrass, jazz and the Great American Songbook. In addition to being the current winner, Stepp placed second last year with his song Goodbye Senator. His current projects include the chamber folk group The Wire Birds, an americana group, the Hard Luck Society, and the jazz and blues influenced group the Ramblin’ Mutts. All of Daniel Stepp’s music and most recent project, The Wire Birds Vol. 1, can be found on streaming platforms. The Wire Birds Vol. 2 will be released in early 2026.
2nd Place Finisher Eli Mosley
The second place finisher is Eli Mosley from Mulberry, Florida with his song, Anna Maria. He says the song is about an escape to a tropical island where the sights and sounds take you back to a lost love and a hope of reuniting.
Mosley’s love for performing began when he was six years old. His family took him to the Florida Strawberry Festival where he saw country artist Tracy Byrd perform live. He says that concert changed everything. He watched the connection between Tracy and the crowd and that’s when he knew he wanted to be a country artist.
His father Michael, who helps manage his son’s schedule, says Eli sang in school and church choirs. He learned performance with heart and harmony, connection with people through song, and how to carry himself with confidence on stage. After high school, Eli Mosley took that passion to the next level at Southeastern University where he majored in Music Business and received classical training in performance and an understanding of the music industry.
Michael Mosley says his son wanted to be more than a singer; he wanted to be a professional musician who knew how to sustain a career. During his final year, Eli was accepted into the Contemporary Music Center in Nashville, Tennessee, a hands-on program where students live and work like real artists. “That’s where Eli learned how to write songs, collaborate with other musicians, and perform for live audiences in one of the toughest music cities in the world,” says Michael.
After that experience, Eli joined the United States Marine Corps which he says gave him discipline, focus, and leadership; qualities that define his work ethic. He wrote songs drawn from real-life stories about family, faith, service, and the road that brought him here.
Mosely has produced four studio albums in Nashville. When he’s not on the road, Eli is a ranch foreman. He says he doesn’t sing country music, he lives it.
Third Place Finisher Grant Peeples
Singer Songwriter Grant Peeples is a 7th generation Floridian. He describes himself as a vehement anti-fascist and a militant environmentalist. His third place song is called, State of Things. Peeples says, “This song is a reflection upon the state of things in the state of Florida.”
A self-described “tree-hugger that watches NASCAR,” Grant Peeples has become known for his axe-sharp socio-political tunes, raucous humor and heart-gigging ballads. His 14th album, “A Code to Live By,” was released this past Christmas. He has published three poetry books and a book of short stories. He lives in Tallahassee in a pink house.
Peeple’swebsitesays he is the recipient of the Focus Foundation Award for Creative Excellence, which cited the “humor, compassion and wisdom of his songs,” and their “unflinching social insight and cultural acuity.” He spends most of his time touring and is a regular performer at Will McLean Music Festival, The Woody Guthrie Folk Festival, the 30A Songwriters Festival, and The Florida Folk Festival.
4th Place Finisher Daniel Stepp- Castle for Two
5th Place Finisher Bear and Robert- Don’t Feed the Monkeys on the River
6th Place Finisher Shadric Smith- Fiddles Down in Florida
7th Place Finisher Charles Brown- Zephyrhills
8th Place Finisher Frank Julian and Jordan Cherkinsky- Gypsies of the Sea
9th Place Finisher Kim LeCouteur- Florida Pines
10th Place Finisher James Hawkins- Black Hat Troubadour
The late Father of Florida Folk, Will McLean, wanted to save Florida through music. For more than 25 years, a festival named in his honor, has sponsored a song contest to help facilitate McLean’s passion. Each year a winner and two top finishers are selected by a panel of judges and are given the opportunity to perform their winning song at the annual Will McLean Folk Festival . Click on a link below to hear the winning songs and 2nd and 3rd place finishers from the long-running festival.
Will McLean, the first folk artist inducted into the Florida Artists Hall of Fame in 1996
By the time I met Will McLeanhe had already penned most of the hundreds of songs and poems he has become famous for. He’d already performed at Carnegie Hall and made friends with the late Pete Seeger. His glory days performing on the “Old Marble Stage” at the Florida Folk Festival were long since past. The truth is, the day I met him I didn’t even really know him by name. But I think therein lies the reason we became fast friends. Will McLean was one of the most humble men I’d ever met.
It was in mid-November in 1985. I was working in the WUFT-FM newsroom in Weimer Hall at the University of Florida when a tall man dressed all in black (that’s how I remember it) walked into my office and kindly, almost demurely, asked if he could post some fliers on the bulletin boards in the hallway to promote his concert that was to take place that following Sunday night November 17th in the Thomas Center in downtown Gainesville. Just having someone come in and ask to post something was rare. Thinking back on it, I’m surprised I didn’t just say yes or no. I remember being intrigued by this man because of the soft-spoken way in which he asked me. Maybe it was the way he was dressed and his stature that caused me to begin asking him questions, questions that today I’m a bit embarrassed that I asked, but so glad I did.
Photo on Will McLean’s “Florida Sand” album
I remember questioning him about what kind of songs he’d written. Instead of being surprised and offended that I didn’t know who he was he began to softly tell me some of the song titles and what they were about. That’s where my friendship with Will McLean really began. When he got to the song, “Hold Back the Waters,” my heart actually fluttered. I had no idea how popular that song really was or the true history behind the song of the 1928 hurricane in Florida over Lake Okeechobee. Geez, people in Florida had been singing this song like an anthem for more than 20 years. But in 1985 I had only been living in Florida for a little more than two years and was just getting to know Florida history and area musicians. But, I knew that song. I fell in love with “Hold Back The Waters” when I was helping produce a national music series while out in the state of Kansas called, “The Walnut Valley Festival.” The public radio station I was working for as news director, KHCC-FM, had produced 26 one-hour programs for national distribution.
Album cover to record by Red and Murphy & Company I purchased at the Walnut Valley Festival in the early 1980s
My job was to interview all the musicians and produce features for the series. It was my first real introduction to a genre of music you just don’t come across on the radio every day. One of the groups performing in 1982 was Red and Murphy Henry, a bluegrass family band from Florida (now Virginia). I can distinctly remember Murphy Henry introducing the song, Hold Back The Waters, saying it was about a hurricane. Of all the songs I heard at the Walnut Valley Festival those two years in the early 1980s, this was the one song I sat down and wrote out the lyrics to and learned to sing. Listening back to the original tape I can hear Murphy Henry mentioning Will McLean’s name, but at the time I learned it I wasn’t as interested in the artist who wrote it as much as in the story of this devastating storm that pushed Lake Okeechobee’s waters over its banks and drowned between 3,000 to 4,000 people.
The 1928 stormwas before television and the weather channel and before hurricanes even had names. It intrigued me that the Seminoles living in Florida may have warned the storm was coming but people didn’t pay attention. This storm is the reason there is now a dike all around Lake Okeechobee in South Florida. There are many accounts from people recalling the storm describing how they were tied to trees by their families so they wouldn’t be swept away. There are stories about the mass graves following the storm….some marked and some unmarked. Yes, this was an intriguing song about history and my first introduction to what hurricanes could really do.
Photo on Will McLean’s “Florida Sand” album
I loved “Hold Back The Waters.” As soon as Will McLean mentioned it I remember blurting out, “I know that song.” When I told him where I first heard it his eyes just lit up. I wasn’t prepared for him to then ask, “Why don’t you come to my concert and sing it with me.” He had just met me. He didn’t know if I could sing or not. I’m sure I thanked him kindly for asking, but he surely didn’t need me to come and sing. It was his concert after all. He insisted.
Before he left the station I introduced him to our operations manager and our chief engineer and it was decided that WUFT would send its remote recording truck to the concert. I remember sitting in a little room at the Thomas Center that night in November of 1985 practicing the song with Will. I was so afraid I’d forget the words or forget how to play it on my guitar. My fears were relieved when I saw Murphy Henry walk into the Thomas Center, the person I first heard sing the song out in Kansas. It turned out that I didn’t have to worry about playing the guitar, I only had to sing the song with Will and Murphy. My fears about forgetting the words disappeared. Here is the introduction to the song that night in 1985
and here’s the recording of Will McLean, Murphy Henry and me singing “Hold Back The Waters.”
In 1985 I was engaged to be married to Lee Townsend from Cross Creek. He was with me at the Thomas Center. As it turns out, Lee knew Will for a different reason. When he was working as a mechanic in Gainesville he often worked on Will’s old vehicles, doing his best to keep them running, many long after they should have been abandoned. That night Will dedicated a poem to us. It was a poem so appropriate for a couple who lived in the woods in Cross Creek.
I will only say that following that November concert, for whatever reason, that professional recording got stashed away on a shelf and misplaced for nearly 12 years….a whole different story in itself. Eventually, it resurfaced at just the right time because the new program director at WUFT-FM, Bill Beckett, had an appreciation for what this recording meant to history. Working together with the Executive Director of the Will McLean Foundation, Margaret Longhill, we turned the recording into the CD, “Will McLean and Friends, Live at the Thomas Center.” I met Margaret Longhill the same week I met Will in 1985. She truly understood how rare this professional recording of Will McLean was. We’ve been friends now for nearly 32 years.
Will McLean standing beside the van he used to travel around the state writing songs about his Florida sand
Because of the way Will McLean lived, he had very few possessions. After his wife Alice died of cancer Will spent most of his last years travelling around in an old beat up van and hanging out at campgrounds where he could fish or just plug in his extension cord at the homes of various friends. He pawned many of his guitars to obtain money to buy wine and he gave away cassette tapes of his recordings to just about everyone he met. I think he enjoyed revisiting the places around Florida where his grandpa had taken him as a boy. Those trips were the inspiration for many of his songs and poems.
Not all of the stories about Will McLean are pretty, but he was a unique individual….a treasure. About a month after the Thomas Center concert Will came to Cross Creek to help me celebrate my 28th birthday. I remember having a nice little music jam on my screened porch over Cross Creek. What I also remember is that Will chose to just sit back and listen to everyone else sing and play, not wanting to be in the spotlight. As much as I wanted him to play for us, I can now look back and appreciate how he didn’t want to be center stage the way some musicians do. I liked that quality in him.
The same thing happened on March 15, 1986 at my wedding reception in Cross Creek. Someone told me Will McLean had just arrived and was looking for me. He had a wedding present for my husband Lee and me. It was a cassette full of recordings he had made around the campfires at the Florida Folk Festival and other places. Not wanting to be the focus of my wedding reception he kindly gave us his “best wishes” and disappeared. After getting to know Will better over the coming months I invited him into the WUFT studios to do a long interview in 1987. You can hear my first interview with Will in 1985 when I was just getting to know him and the second interview where I knew Will a little better by clicking here. Let’s just say I’m really glad I have those recordings. There are stories in those interviews that needed to be preserved forever.
Painting of Will McLean by Mary Ann Dinella
Will died in 1990 from cancer. Friends gathered for his memorial in the Thomas Center, the same venue where I sang with him less than five years before. Both floors of the Thomas Center were packed. Many of his friends performed Will’s songs and told stories of how they knew him including the late Gamble Rogers, Don Grooms, Bobby Hicks, Dale Crider, Seminole Chief James Billie, Jeanie Fitchen, Mary Ann Dinella, Doug Gauss, Dennis Devine and Wayne Martin. The list is long. There were tears and much laughter as well. I don’t think I’ve ever cried so hard. He touched so many of us in so many ways. This is the first time I’ve ever really written my thoughts about it. Thank goodness someone actually video-taped the service. It is a real treasure to see.
Afterwards many of us went to Gore’s Landing by the Ocklawaha River to disperse Will’s ashes. Some of those in attendance were Margaret Longhill, Don Grooms, Dale Crider and family, Donna Green-Townsend and family, Wayne Martin, and Bobby Hicks to name a few. Gore’s Landing was one of Will’s favorite places to camp. I saw him there while my family was also camping not long before he got so sick.
Sign dedicated to Will McLean at Gore’s Landing
Margaret Longhill chose the Ocklawaha River because before he died, McLean had told her that he had hoped to light a small campfire one last time at Gore’s Landing, his favorite campsite. In this brief recording, you will hear a small portion of that special ceremony at the river:
The late Will McLean considered to be the “Father of Florida folk”
One of the highlights of the festival is the hour when the winners of the Will McLean Best New Florida Song Contest perform their winning songs. Will always wanted to “Save Florida Through Music.” It’s amazing how many songs there are now about his beloved “Florida Sand.”
If you’ve never been to the Will McLean Folk Festival you really should check it out. It’s truly a “songwriters festival.” Mark your calendars for the next one scheduled for Friday, March 13th – Sunday, March 15th, 2026.It’s held at the Florida Sand Music Ranch Ranch near Brooksville and just 7 miles west of Dade City. It’s small in comparison to many music festivals, but that’s why it’s so special. The performers and the people who attend are all in the same campground, playing music throughout the night.
Jessie and Lee Townsend
My children have grown up there. In 2016 my son Lee and daughter Jessie Townsend performed on both Saturday and Sunday at the festival and honored many songwriters who have passed on in a special “Florida Set.”
I love sharing the legacy of Will McLean with the younger generation. That being said, I can’t tell you how sweet it is that my granddaughter literally fell in love with one of Will’s songs as an infant. If she was crying, it soothed her. When she began to talk, she asked for the song to be played. By the age of two she was singing the words with her Aunt Jessie and Uncle Lee. Here’s a version of them singing it together.
As the late singer-songwriter Pete Seegersaid, “Will McLean’s songs will be sung as long as there is a Florida.” Rest in Peace Will McLean, my friend.
Congratulations to Sarah McCulloch from Davie, FL on winning the 2025 Will McLean Best new Florida Song Contest for her song, Everglades City 1985.
“I am so honored to have won the contest,” said McCulloch. “It is one of my proudest accomplishments.” She says the song is a tender and gritty tale of love and loss amidst the drug scandals in a small Florida town that time forgot.
“I grew up in the same county as Everglades City, so we were neighbors, just thousands of acres of Everglades between us. I don’t know exactly what it was like to be a Fisherman’s wife but I know what it was like to be a Sawmiller’s daughter watching my father slowly lose his business because of the national park service moving in and limiting land use.
The song is really about the human toll on the family that occurs when the ability to make a living on the land is lost. My father died suddenly in 1996 of a pulmonary embolism and everyone felt that the stress he was under shortened his life. When I sing the line “I’ll find me a job that won’t disappear, then I won’t have to disappear,” I’m singing about my father’s death. I hope the song makes people think too about what they would have done in that situation, “ … .. if a boat and a line and a fish were your way of life.” It’s raw and edgy and might make a few people uncomfortable but it’s real. I know it cause’ I lived it.”
McCulloch will be performing her winning song at the Will McLean Festival scheduled for March 7 – 9th, 2025 at the Florida Sand Music Ranch near Brooksville.
In 2023 McCulloch placed 3rd with the Will McLean Best New Florida Song Contest with “Sugartown” from her widely acclaimed album Sawmiller’s Daughter produced by Jim Bickerstaff (Bickerstaff won the contest in 2024).
She released her newest album, “Driving Me Home” in May of 2024. It is a collection of 12 original songs steeped in folk/country storytelling and is available everywhere music is streamed. In February, 2024 McCulloch was selected as one of the winners of the 2024 South Florida Folk and Acoustic Music Festival’s Singer-Songwriter Competition.
2nd Place Finisher – Daniel Stepp- “Goodbye Senator”
The 2nd place finisher in the 2025 Will McLean Best New Florida Song Contest is Daniel Stepp from Gainesville, FL with a song called, “Goodbye Senator.”
Stepp shared this inspiration for the song. “In 2012 a 3,500 year old cypress tree called The Senator, in Big Tree Park in Longwood, Florida was burned down. The fire was caused by a woman, Sara Banes, lighting a small fire to assist her in smoking crystal meth beneath the tree and (it) quickly grew out of control and destroyed the tree, the 5th oldest tree in the world, and the oldest tree in the US east of the Mississippi River. This song is about the imposition we place on nature, wonder, and awe, through notions of progress and individualism.” Stepp says he’s honored to place in the Will McLean Best New Florida Song Contest and will be participating in the Will McLean Festival as a performer for the first time.
He has been writing songs for a new album with his band, The Wire Birds which will focus exclusively on stories and events in Florida. “As a Florida native I have always been interested in the narrative content in our state and how it’s filled with nature, awe and wonder, tragedy and mythologies of progress and utopianism. Some of the songs will include stories of the North Florida Barge Canal, tourist attractions, carnival shows, sugar cane, immaculate conceptions, insurance fraud, and religious movements.” Stepp’s Instagram link is thewirebirds_gnv.
3rd Place Finisher – Bob Patterson- “A Place In My Heart”
Bob Patterson from St. Augustine is the 3rd place finisher of the 2025 Will McLean Best New Florida Song Contest for, “A Place In My Heart.”
Patterson is no stranger to the contest. In 2019 he placed 1st with a song called “Silver Springs.” In 2005 he placed 3rd with a song called, “Lullabye of the Rivers.” It’s become somewhat of an anthem around the state. More importantly, it’s been used by educators to teach students about the natural history, geography, ecology and the state of health of Florida’s Rivers.
“The idea is if we don’t teach the kids about the environment, we can’t expect them to grow up wanting to protect it,” said Patterson. He hopes to obtain funding to create a DVD that could be used in schools to teach more educators how to utilize music in their science and history classes.
Patterson is the key organizer of a relatively new festival in the St. Augustine Area called “Lullabye of the Rivers.”He was one of the original founders of the Gamble Rogers Folk Festival, and functioned as the event’s Artistic Director for 24 years. In 2011 the Stetson Kennedy Foundation awarded him the ‘Fellow Man and Mother Earth Award’ for his work in actively keeping folk culture alive in Florida.
Patterson was a 2011 first place winner in the North Florida Folk Network song writing contest in the category of Best Florida Song. In 2014 he was awarded a Lifetime Achievement Award from the Florida Storytelling Association.
He has been a featured performer at the annual Florida Folk Festival at White Springs for more than 45 years and was recently inducted into the St Augustine Music Hall of Fame. In addition to critically acclaimed CDs, Patterson has authored two books, Forgotten Tales of Florida, and, Dorothy. Both books are loaded with Florida folk lore and history and have become very popular in the folk community and beyond.