Category Archives: Features

Song Contest Winner and Finishers in the 2024 Will McLean Best New Florida Song Contest

December 6, 2023Arts, Music, Music2024 Best New Florida Song Contest, Amy Carol Webb, Bob Patterson, Chad Spikes, Cindy Bear, Dale Dollar, David Beede, Donna Green-Townsend, Elisabeth Williamson, Florida Sand Music Ranch, Jim Bickerstaff, Kurt Fortmeyer, Scott Campbell, Will McLean, Will McLean FestivalDonna Green-Townsend

You can listen to all of the Top Ten Songs if you scroll down past the Top Three winners.

Winner- Jim Bickerstaff, “Sister Mary”

All of the Top Three finalists will be performing their winning song at the Will McLean Music Festival scheduled for March 8th – 10th, 2024 at the Florida Sand Music Ranch near Brooksville.

Jim Bickerstaff says winning the Will McLean song contest is more than an honor, “It is recognition by my peers in a community of fine writers, performers, and humans … a validation of my creative efforts.” He says the late Margaret Longhill, who was instrumental in starting not only the Will McLean Festival, but also the Will McLean Foundation, is the main reason he ever wrote any songs about Florida, “She wore her vision on her sleeve, and she is the person that made room for a Georgia boy in the Florida Folk community. ”

“I first met Margaret Longhill in the early days of WillFest, before we called it that I think,” says Bickerstaff. The first two he attended were at two different venues near Dunnellon, and the following year, Longhill moved it to what was then called the Sertoma Youth Ranch and now called Florida Sand Ranch. He says, “Jim Billie invited me to play with him at the festival, and like everyone who ever came within range of Margaret’s magnetic field, I assumed an orbit and became a thread in the tapestry she was continuously weaving. Margaret had a sizable influence on everyone she met as well as on people who have no idea who she was. She was a purposeful woman and a good soul. I will never forget Sister Mary,” says Bickerstaff.

He says the primary message of his winning song, “Sister Mary,” is that we still have work to do preserving Florida and the rest of the planet for that matter. With Margaret gone, we are left to carry on her vision with art, music, and fighting for balance between development and conservation.” Bridge – What used to be is gone forever, time don’t go back to where it’s been. But as we step into tomorrow, are we going to let this happen once again? The secondary message says Bickerstaff, “A testimony to the fact that Margaret was here and did this thing.” Second Verse Sister Mary beckons all the flowers in the field to gather for the Native son Then they blow like dandelions, scattered to the wind, singing songs of old Florida. He adds, “I think it is important to understand that the planet will shrug us off like a rash once we destroy our ability to survive here. A few hundred thousand years after we become extinct, there will be little sign that we ever existed. Yet, our longevity is largely in our hands if we learn to coexist within the delicate balance that makes this planet inhabitable by humans.” 3rd Verse Floods and raging hurricanes have come and they have gone But nothing any man can do can keep away the dawn.

Bickerstaff credits the musicians for “Sister Mary” as: Terry Feller – Drums, Bob Wray – Bass, Clayton Ivey – Wurlitzer Piano, Pat Severs – Acoustic Guitar, Johnny B – Dobro, Donny Carpenter – Fiddle, Jim Bickerstaff – Vocals & Acoustic Guitar.

As a four-year house engineer for legendary producer, Johnny Sandlin, Bickerstaff has worked at the top of the music business as an audio engineer for groups such as Widespread Panic, Col. Bruce Hampton & the Aquarium Rescue Unit & The Dixie Dregs on releases by Capricorn Records and Warner Brothers Music. Additional projects and artists include Scott Boyer, Tommy Talton, Chuck Leavell, Butch Trucks, Eddie Hinton, Loretta Lynn, Roger Hawkins, Randall Bramblett, T Lavitz, David Hood, John Hiatt, Ry Cooder, Gladys Knight, Kelvin Holly, Spanky Alford, and others.

As an independent producer and engineer, Bickerstaff has worked with Jupiter Coyote, Chief Jim Billie, Sarah McCulloch, Jeannie Fitchen, Mindy Simmons, Raiford Starke, Joey Errigo, Clyde Walker, Sam Pacetti, Vassar Clements, John McEuen, Bela Fleck, Upsala, and other Indie artists.

As a writer and performer, Bickerstaff has released three albums of his music. He retired from Duke Energy in June, 2023 and has leaned into performing and production full-time again. In 2020 Bickerstaff placed third in the song contest with “Jim Billie, Chief of the Seminole.”

2nd Place Finisher, Amy Carol Webb- “Carry It On”

Amy Carol Webb says as a child she always knew that she wanted to be a musician and a minister when she grew up. Her father was a music teacher and a gospel preacher like his father before him. Her mother was a singer, Bible-school teacher and Mom to the kids of the neighborhood wherever they lived – and they lived a lot of places throughout Oklahoma, and Texas.

“Our house was like growing up in a practice hall as all us kids learned and experimented, what with the four of us singing and playing guitars, drums, trombone, tuba, piano, sax….it was a lovely kind of chaos. Music was breathing to me. Still is,” said Webb.

Upon graduating college with a BSE in Performing Arts, Webb says she set out for a career in marketing, music performance, production and education, in Los Angeles. As a performer and songwriter, she toured the US, Canada, Mexico and Japan, and played from the Kennedy Center to the stages of some of the most hallowed music festivals, universities and conferences.

As an educator Webb has taught music, creative writing, songwriting and life-skills development from the halls of the University of Miami to the cells of maximum security women’s prisons in Florida.

In the realm of Justice Music, Webb is a Charter Fellow of Noel Paul Stookey’s “Music2Life Foundation,” working for justice through music. In 2010 she graduated Summa Cum Laude from seminary at Andover Newton Theological School and was ordained the following year by the Unitarian Universalist Fellowship of Boca Raton, where she served for three years as a student and intern. Presently, she works as a Board Certified hospice Chaplain and bereavement group facilitator and is Consulting Minister to the River of Grass Unitarian Universalist Congregation in Davie, Florida.

She continues to provide concerts and workshops, and compose and record new music. In 2013 she released her 10th CD, Moments: Music – Mantra – Mystery, a celebration of devotional music from the world’s spiritual traditions as well as new Unitarian Universalist hymns and chants. Her justice anthem, STAND!, debuted at the 2010 Unitarian Universalist Association’s General Assembly with a 150 voice choir and has been taken up by UU congregations and justice champions around the world – along with the call to action Tell Somebody! released at the UUA General Assembly 2012, and the invitation to reverence, On Holy Ground.

Webb says, “I am privileged to travel widely within the acoustic music community and the Unitarian Universalist movement preaching, singing, speaking, facilitating a variety of workshops focused to deepen, strengthen, amplify and edify – including fifteen years of service to SUUSI (Southeast Unitarian Universalist Summer Institute) with four years on the Board. In service to the larger faith community, I regularly speak, sing and teach at interfaith events, welcoming denominations, and also have served on the Board of the Ecumenical Institute at St. Thomas University in Miami.”

Webb is no stranger to the Will McLean Best New Florida Song Contest. In 2002 she placed first with her song Turtle Tears. That same year she also placed third for her song Rivers Roll On. Webb has been a consistent headliner at the Will McLean Music Festival and other music festivals across the state including the Florida Folk Festival, the Gamble Rogers Music Festival and the South Florida Folk and Acoustic Music Festival.

Tie: 3rd Place Finisher, Lis Williamson- “Land of Flowers”

Elisabeth Williamson is a singer-songwriter residing in the Sandhills of her native Florida. She has been performing in Florida for many decades with her husband, Lon, in various groups over the years, The Driftwoods, The Gatorbone Band, Valla Turner Williamson and so many more. She and her husband Lon have recorded and produced more than 75 records of all original Florida folk music for the Florida folk singer-songwriter community which she describes as a deeply fulfilling endeavor. Her song, The Land of Flowers, was inspired by her lifetime of observance of the changing state of the state of Florida as well as a commentary that, “we must remain vigilant to preserve what’s left of her natural beauty.”

Lis Williamson is no stranger to the Will McLean Best New Florida Song Contest as she has taken home the first place prize on two occasions. In 2013 she won for her song F-L-O-R-I-D-A and in 2007 she won first place for her song Florida Cracker Girl. Several of Lis and Lon Williamson’s music recordings can be heard in the nationally distributed public television documentary, From Novel to Movie: The Yearling in Florida.

Williamson, who has been a player and lead singer in bluegrass bands, country bands, folk trios, madrigals and jazz ensembles has performed in thousands of venues, from festivals to honkytonks, wine bars, churches and barns as well as weddings, christenings, funerals, gourmet restaurants and rodeos around the country. She is active with the Gamble Rogers Music Festival Board. You can catch her performing most often at a variety of venues in the St. Augustine area.

Tie- 3rd Place finisher, Kurt Fortmeyer- “Pelicans“

Kurt Fortmeyer describes himself as a neo-traditional hobo, bluesman, honkytonking folksinger and songwriter. He says he was born in a barn, and raised in a stable environment, or so he might tell an unwitting listener in one of his sillier moments. He lived in North Carolina, California, Hawaii, and Maryland, before starting the first grade in Texas. A long-time lover of music, Fortmeyer joined his first band at the age of thirteen, and started writing songs almost right away. By the age of 19, he was turning into more of a solo singer/songwriter, with the occasional stints in blues, country, and rock bands.

In the 1970s, he hitchhiked coast-to-coast with a guitar and a burlap sack full of clothes. In the 1980s, he met his wife, and mostly came in off the road. With the help of friends, he built the house where his kids grew up in eastern North Carolina. In the 1990s, he and his wife opened a coffeehouse that became a haven for songwriters, and in the early part of this century, they moved to the Nashville area, where they now live in a holler in the hills northwest of town.

Fortmeyer has performed at the world-famous Bluebird Cafe in Nashville for almost 20 years. He has been a featured performer at the North Carolina Museum of History, and The Bluegrass Hall of Fame and Museum in Owensboro, Kentucky. His recordings have been played on radio stations around the world, and are available on most streaming platforms.

He describes his inspiration for writing his song Pelicans, “I was writing a “Coastal Country” kind of song with a producer friend of mine and his artist, when I came up with a line about a pelican. My friend went off on me. “Nobody’s going to sing a song with the word ‘pelican’ in it. It’s a clunky word, and an ugly bird. A seagull is the iconic ocean bird. It has to be a seagull.” I told him “You can find seagulls at the landfill, but if you see pelicans, you know you’re at the coast.” He insisted on a seagull, and since it was for his artist, and they bought my lunch, I relented. On the way home, I started thinking about about it, and his comment stuck in my craw. When I got home, I started working on Pelicans.

4th Through 10th Place Finishers:

4th place- Chad Spikes- “Days Long Gone“

5th place- Chad Spikes- “Ghost of the Suwannee”

Tie 6th place- Cindy Bear and Susan Grandy- “Suwannee River in White Springs”

Tie 6th place- Chad Spikes- “Apalachee Sky”

7th place- David Beede- “The Melrose Song”

8th place- Dale & Lisa Dollar- “Ochlockonee”

9th place- Scott Campbell- “Bloody Buckets Bridge”

10th place- Bob Patterson- “Santa Fe”

Back to the Will McLean website

Back to the list of winners since 1992

Marjorie Kinnan Rawlings and the Fiddia Family

July 24, 2023FeaturesBig Scrub, Carol Fiddia Laxton, Donna Green-Townsend, Elmer Fiddia, Florida, Fort McCoy Cemetery, Grace Fiddia, Leonard Fiddia, Marjorie Kinnan Rawlings, Norman Berg, Norton Baskin, Ocklawaha River, Paul Laxton, Piety Fiddia, South Moon Under, Sydney LaxtonDonna Green-Townsend

The Yearling movie, and more importantly, the novel, may never have happened if it hadn’t been for Leonard Fiddia. Marjorie Rawlings met Leonard Fiddia in either 1929 or 1930 while on a hunting trip with a mutual friend. It was Leonard Fiddia who introduced her to Calvin Long in the “Big Scrub.” Calvin Long shared with Marjorie the story about his brother Melvin, who had a pet deer. From there the classic story was born.

Leonard Fiddia lived off of Hog Valley Road by the Ocklawaha River. I recently had the chance to sit down with Leonard Fiddia’s grandson Paul Laxton and his wife Sydney who live on the same property that Piety and Leonard lived on when Marjorie visited back in the 1930s to gather material for her books.

“It’s a property that’s been in our family since about 1890,” said Paul. “The actual house that they lived in is right here where this house is. It’s kind of like right here in front of our house.”

Like many folks in the 1930s, Paul says his grandfather, Leonard Fiddia, did whatever he could to support and feed his family.

“He would night hunt. It was stuff that was illegal, but they were just trying to survive, you know,” said Paul, who is a retired Marion County Sheriff’s deputy. “So he had fish traps, he kept fish traps out there in the river where he would go and collect fish and eat fish. They had venison. They raised hogs and then there was the garden….They lived pretty much off the land. My mom talks about how some of it was illegal, but they were just trying to survive. It may have been somewhat of a simple life, but I think it was a good life for them.”

Paul says Leonard was also a skilled carpenter and electrician. Like many other folks in the “Big Scrub,” he made moonshine. Marjorie not only bought moonshine from Leonard, but helped him make it, spending several weeks with him and his mother Piety Fiddia to gather material for her first major novel, South Moon Under.

Sydney Laxton says she loves Marjorie’s novel, South Moon Under. “Once I got into it I could not put it down, especially because it was where we live. Our home that we built in 1992, this is where it happened, the South Moon Under story took place.”

Leonard, Piety and Marjorie became good friends to the point that when Leonard and his wife Margaret faced a family tragedy, Marjorie or “Marge” as Leonard called her, was even willing to donate her blood to try and save their youngest daughter.

The year was 1949. Leonard and Margaret had three living children. An infant had died shortly after birth. There was Carol, who was 15, seven year old Elmer, and a five year old daughter Grace. In the fall of 1949, Grace became seriously ill and was taken to Dr. J. L. Strange’s medical clinic in McIntosh. She talked about visiting with little Grace in a letter she wrote to her husband Norton Baskin dated December 12^th, 1949:

“I went to Dr. Strange’s hospital Monday afternoon, and Leonard and Margaret and Jean were all there, Margaret worn to the bone, Leonard in tears. St. Vincent’s had confirmed the leukemia, and sent the child back where her family could be with her all the time. The great horror of it is her suffering. Aside from an almost constant fever of 105, she has begun to swell, and since the bone-marrow is affected, she is in utter agony…..She has to have a blood transfusion almost every day, to keep her alive, and Leonard said he had almost given out of donors.” (Rodger L. Tarr, ed. The Private Marjorie : the Love Letters of Marjorie Kinnan Rawlings to Norton S. Baskin. Gainesville: University Press of Florida, 2004)

Though she was willing to donate, Marjorie’s blood type wasn’t suitable for little Grace. A local hardware store donated a new red wagon for the little girl, something Grace had wanted, but sadly she died one week before Christmas.

Paul and Sydney shared family photos and mementos with me, including a video recorded of Paul’s mother Carol (Leonard’s oldest daughter) talking about Marjorie at a talk in Fort McCoy a few years before Carol passed away. Little Grace’s death remained a difficult subject even decades later.

“She died exactly a week before Christmas,” said Carol Fiddia. “That was a sad Christmas.”

Marjorie attended the funeral service at the Fort McCoy Cemetery on December 21, 1949. The memorial book shows that she contributed a vase with white flowers for the service. In a letter to her friend and publisher representative, Norman Berg dated December 29^th, 1949, she described sitting at the gravesite in the Fort McCoy Cemetery:

“Leonard’s little girl died a week before Christmas. The funeral services were in the little Fort McCoy cemetery where Leonard’s people back to his great-grandfather are buried, and were simple and sweet, if such a thing is possible, with the wind in the pines, and a nearby saw-mill chug-chugging away. Leonard’s little boy, aged seven, the dreadful Elmer, wrestled with another little boy at the very edge of the grave–. Leonard insisted that I sit in the front row with the family, and Elmer sat next to me, chewing gum, and fascinated by his new shoes, which he kept rubbing together with a great squeaking, most satisfactory to Elmer.” (Laura Virginia Monti and Gordon E. Bigelow, eds. Selected Letters of Marjorie Kinnan Rawlings. Gainesville: University Presses of Florida, 1983)

Marjorie went on in that letter to Norman Berg to describe travelling to the Fiddia homestead to bring Christmas dinner.

“I promised Leonard and Miss Piety that I’d come to the Scrub this week, and I was sure they would have had some of the east coast rain on their deep sand road, so yesterday afternoon I set out with a turkey and all the fixings in time to cook dinner there. They had not a drop of rain, the place is 8 miles from anywhere, and I had to dig out twice. But we had as fine an afternoon and evening as possible under the circumstances of their sadness, and the turkey dinner cooked in the old wood-range was delicious, and Mis’ Piety put her thin old arms around me and said, ‘This is like old times,’” wrote Marjorie.

Leonard Fiddia’s daughter Carol remembers that Christmas dinner well. “All I remember about that meal is the turkey. Now we had eaten turkey because my dad killed wild turkeys occasionally. But they were always cut up before they were cooked. But she had this great big bought roasted turkey there on the table. Now that was impressive,” said Carol.

“My mom talked about it being a rough Christmas ‘cuz Grace had passed away just prior to Christmas and one thing she talked about was how Marjorie showed up at the house Christmas morning with all the fixings to make ‘em a Christmas dinner meal for them,” said Paul.

“It really touched Carol because she would still choke up you know, telling the story,” said Sydney.

The Fiddias remained close friends throughout Marjorie’s life. Leonard continued to do work to help maintain Marjorie’s home and serviced Marjorie’s Kohler plant which provided her electricity. The family says he even helped with carpentry work on the set of The Yearling movie in the mid-1940s. Both Piety Fiddia and Marjorie died in the same year…Piety in April of 1953 and Marjorie in December of 1953. Leonard Fiddia died in 1958.

From Novel to Movie: The Yearling in Florida

July 23, 2023Arts, Documentary, Features1945, Alva Kinsey, Bobby Randall, Celeste Godwin Viale, Claude Jarman, Donna Green-Townsend, Florence Turcotte, Florida, From Novel to Movie documentary, Gregory Peck, Jane Wyman, Jennifer Pohlers, Kathlyne Walkup Sheppard, Lawrence Kinsey, Marjorie Kinnan Rawlings, Ocala National Forest, Oscar winners, Pulitzer Prize, Richard Mills, Ross Allen, The Big Scrub, The YearlingDonna Green-Townsend

To see the full 58-minute documentary online click here: PBS.org

The documentary is also available on the PBS app by typing in the word Yearling in the search box. You can also view the documentary on the WUFT-TV passport. PBS stations can download the broadcast version from NETA.

DVDs of the documentary are now available for $20 plus $4 for postage and handling. All proceeds benefit projects on the farm. Please make your check payable to the Friends of the Marjorie Kinnan Rawlings Farm, Inc., and mail to P. O. Box 337, Micanopy, FL 32667-0337.

From Novel to Movie: The Yearling in Florida is also being distributed to more than 350 PBS stations via NETA, The National Educational Telecommunications Association. Check local listings in your area for availability.

From Novel to Movie: The Yearling in Florida takes an inside look at a classic movie as well as the award-winning classic novel which inspired the film with the people who lived the story. The documentary shares oral histories from some of the actors and stand-ins who were featured in the Oscar-nominated MGM Classic, The Yearling, the coming of age story about a post-Civil War backwoods Florida family who raised an orphaned deer which leads to heartbreaking conflict.

*Jane Wyman, Claude Jarman, Jr. and Gregory Peck*

2022 marked the 75^th Anniversary of when the film was honored at the Academy Awards with seven Oscar nominations, including Best Picture and Best Actor nominations for Gregory Peck and Jane Wyman. The Yearling took home Oscars for Cinematography and Art Direction and Claude Jarman, Jr. received a Juvenile Acting Oscar for his role as young “Jody Baxter” in the movie.

The Yearling, directed by Clarence Brown, was based on the 1939 Pulitzer Prize-winning novel by Marjorie Kinnan Rawlings. The documentary, From Novel to Movie: The Yearling in Florida features many unique home movie clips recorded by actor Gregory Peck during the time he was working on the film in the Ocala National Forest in Florida in 1945.

(l to r) Bobby Randall and Claude Jarman, Jr.

The documentary also includes extensive interview segments with Oscar winner Claude Jarman, Jr. who played young Jody Baxter in the MGM film. Memories from Florida residents who served as stand-ins for Peck and Jarman as well as some of the people who worked on the movie set in Florida’s scrub country are also featured.

We are so thankful to Claude Jarman, Jr. for providing photos and most of all his insight on the making of the classic film. We are also appreciative of The Gregory Peck Foundation for providing home movie clips recorded by Gregory Peck while he was filming in Florida and California in 1945.

Click on the video below to see the first five minutes of the 58 minute documentary.

To see the full 58-minute documentary online click here: PBS.org

Meet the people behind the documentary below

The producer of the documentary is award-winning journalist Donna Green-Townsend. She has more than 50 years of radio and television experience and is the recipient of a National Edward R. Murrow Award for documentary production as well as numerous state and regional journalism awards. In December of 2021 she interviewed Claude Jarman, Jr. on stage at the Marion Theatre in Ocala, FL before a showing of the original movie The Yearling.

*Documentary Producer Donna Green-Townsen*d

The co-producer is Kathlyne Walkup Sheppard whose knowledge, relatives and acquaintances from the “Big Scrub” were invaluable to the project. A big thank you goes to members of the Friends of the Marjorie Kinnan Rawlings Farm Board for ongoing support on this project.

In 1939, Marjorie Kinnan Rawlings won the Pulitzer Prize for her novel, The Yearling. Her inspiration for the novel came from time spent with people who lived in the “Big Scrub.” Marjorie’s friend Leonard Fiddia, who did work for her, lived along the Ocklawaha River. He sold and taught her how to make moonshine. She stayed with the Fiddia family to gather material for her book South Moon Under, her first novel. Leonard Fiddia introduced her to Calvin Long in the forest. It was his brother Melvin Long who had a pet deer. That’s where The Yearling story began. Melvin’s experience with his pet deer became the story of Jody Baxter. Marjorie’s inspiration for her character Fodderwing in the novel came from meeting Rodney Slater. Rodney, the son of her friend “Widow” Slater in Cross Creek, suffered from physical disabilities.

Leonard Fiddia who introduced MKR to Calvin Long

MGM bought the film rights and began production on the movie version in 1941 in the “Big Scrub” of the Ocala National Forest in Florida. A variety of East Marion County residents were hired to work on the set in the forest, including Richard Mills. That first effort to make the film was scrapped when actor Spencer Tracy decided to head back to California. Near the end of WWII, a new cast and crew headed back to the forest in 1945. That crew included Gregory Peck as Penny Baxter and Claude Jarman, Jr. as Jody Baxter. Once again, many East Marion County residents found work as either stand-ins for the key actors or took jobs working on the set. Alva Kinsey, Sr. was Gregory Peck’s double and Bobby Randall was Claude Jarman, Jr.’s stand-in. Lawrence Kinsey and Freeman Godwin were hired to work on the film set while others like Jack Owen helped catch fawns for use in the movie getting paid $25 by MGM for each fawn they used during the filming. Here are photos of some of those East Marion County residents.

Thanks to the folks who helped tell the story of From Novel to Movie: The Yearling in Florida. Here are photos of the key people who shared their knowledge for the documentary.

And last but not least, thanks to Ellie Townsend for her editorial assistance.

Music Selections in the Documentary:

I am especially thankful to the Florida musicians who provided the music we featured in the program. Most of these music pieces are original works created for the documentary . Listen to the music below:

Mickey Abraham- two original mandolin solos

Sue Cunningham and Frank Serio who wrote “Restless Wind”/Shiloh Rising Music ASCAP

performed by Lis and Lon Williamson, Gabe Valla and Christian Ward

David Dean- River Rolls

Scott Jackson– Marjorie

Scott Jackson- Hollywood in the Forest

Scott Jackson- Flag

Scott Jackson- Jody and Penny

Chuck Levy- “Rock the Cradle, Joe”

Gene Page- Pretty Saro

Mark Smith– Bear Hunt

Mark Smith- Fodderwing

Mark Smith- Lost Echoes

Lee Townsend- Fluttermill

Lee Townsend- Guitar solo

Lee Townsend- Reflections on Life in the Scrub

James “Tuck” Tucker- River Styx

Gatorbone Trio– Gabe Valla and Lis and Lon Williamson- Land of Flowers

Lis and Lon Williamson and Gabe Valla- Dearest Dear

Lis and Lon Williamson and Gabe Valla- Cracker Girl

Lis and Lon Williamson and Gabe Valla- Sweet Sunny South

Artist Features

June 27, 2023Arts, Drama, Music, SpecialsAaron O'Rourke, Amanda Garrigues, Billy Dean, Chris Henry, Cindy Mangsen, Dale Crider, Danny Wooten, doc watson, Don Grooms, Gabe Valla, Gamble Rogers, Garrison Doles, George Tortorelli, Grant Peeples, Jesse Winchester, Jessie Armstrong, Jon Semmes, Lee Townsend, Lennie Kesl, Lis and Lon Williamson, Marjorie Kinnan Rawlings, Mark Johnson, Mary Hausch, Mem Semmes, Michael Smith, Mike Jurgensen, Pete Seeger, Peter Rowan, Pine and Palms TV Special, Red Henry, Roadside Revue, Rod MacDonald, Sam Pacetti, Shana "Banana" Smith, Sno Rogers Band, Song Contest Winners, Steve Gillette, The Bills, The Currys, Tom Shed, Tuck Tucker, Walter Parks, Will McLean, Willie GreenDonna Green-Townsend

(Click on an artist’s link to view and hear a feature about them)

Jessie (Townsend) Armstrong

The Currys

Garrison Doles

Willie Green

Chris & Red Henry

Mike Jurgensen

Will McLean

Walter Parks

Punch Brothers

Gamble Rogers

Pete Seeger

Shana “Banana” Smith

Tom Shed

Walter Strauss

Lee Townsend

“Doc” Watson

Jesse Winchester

The Bills

De Lions of Jah

Amanda Garrigues

Don Grooms

Hippodrome & other theatre archival features

Lennie Kesl

Aaron O’Rourke

Grant Peeples

Marjorie Kinnan Rawlings

Sno Rogers Band

Jon Semmes

Michael Smith

Chris Thile

Tuck Tucker

Amy Carol Webb

Danny Wooten

Dale Crider

Billy Dean

Steve Gillette & Cindy Mangsen

Mary Hausch

Mark Johnson

Rod MacDonald

Sam Pacetti

Pines & Palms TV Special

Roadside Revue

Peter Rowan

Shortcut to specials

Mem Semmes

Song Contest Winners, Will McLean Festival since 1992

George Tortorelli

Gabe Valla

Lis and Lon Williamson

The Gatherings

Archive of the Winners and 2nd and 3rd place finishers of the Will McLean Song Contest Since 1992

December 5, 2022Arts, MusicWill McLean Song ContestDonna Green-Townsend

Will McLean performing — *The late Will McLean*

The late Father of Florida Folk, Will McLean, wanted to save Florida through music. For more than 25 years, a festival named in his honor, has sponsored a song contest to help facilitate McLean’s passion. Each year a winner and two top finishers are selected by a panel of judges and are given the opportunity to perform their winning song at the annual Will McLean Folk Festival . Click on a link below to hear the winning songs and 2nd and 3rd place finishers from the long-running festival.

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2024 Song Contest Winner Jim Bickerstaff, 2nd Amy Carol Webb, 3rd Tie Elisabeth Williamson and Kurt Fortmeyer

2023 Song Contest Winner Daniel Childs, 2nd Chad Spikes, 3rd Sarah McCulloch

2022 Song Contest Winner Jim Terry, 2nd Joshua Reilly, 3rd Joe Virga

2021 Song Contest Winner Scott Jackson, 2nd Scott Jackson, 3rd Cindy Bear and Franc Robert

2020 Song Contest Winner The Currys, 2nd John R. Butler, 3rd Jim Bickerstaff

2019 Song Contest Winner Bob Patterson, 2nd Paul Smithson, 3rd Razz Taylor

2018 Song Contest Winner Kathryn Belle Long, 2nd John R. Butler, 3rd Jeff Trippe

2017 Song Contest Winner “Mean Mary,” 2nd “Mean Mary,” 3rd Jeff Parker

2016 Song Contest Winner Lauren Heintz, 2nd Paul Garfinkel and Pete Price, 3rd Ray Sealey

2015 Song Contest Winner Hank Mattson, Dana Robinson, 2nd John Butler and 3rd Lauren Heintz

2014 Song Contest Winner Jane Fallon, 2nd Larry Mangum and 3rd Ray Sealey

2013 Song Contest Winner Elisabeth Williamson, 2nd Susan Brown and 3rd Rog Lee

2012 No Song Contest

2011 Song Contest Winner Ron Johnson, 2nd Al Scortino, 2nd Frank Julian and 3rd Michael Denney

2010 Song Contest Winner Dawn DeWitt, 2nd Walt Leuzinger, and 3rd Michael Denney

2009 Song Contest Winner Garrison Doles, 2nd Chris Kahl and 3rd Carly Bak

2008 Song Contest Winner Rog Lee, 2nd Malcolm McKinney and 3rd Doug Spears

2007 Song Contest Winner Elisabeth Williamson, 2nd Al Scortino and 3rd Scott Morris

2006 Song Contest Winner Mike Jurgensen, 2nd David and Mary Anna Evans and 3rd Larry Mangum

2005 Song Contest Winner Bruce Tetley, 2nd Cathy DeWitt, and (tie) 3rd Lucia Jenkins and Bob Patterson

2004 Song Contest Winner Mike Jurgensen, 2nd Charley Simmons and 3rd David Milam

2003 Song Contest Winners John Hammond, Bettina Makley, (tie) 1st Jeffrey Smith, 2nd Bryan Rivers and 3rd Mike Jurgensen

2002 Song Contest Winner Amy Carol Webb and 2nd Steve Sternberg, 3rd Amy Carol Webb

2001 Song Contest Winner Robbin Bach, 2nd Marie Nofsinger and 3rd Lucinda Kidd Hackney

2000 Song Contest Winner Okefenokee Joe, 2nd Al Scortino and 3rd Gregg Jones

1999 Song Contest Winner Paul Garfinkel, 2nd Lenny Craven, Grant Livingston and 3rd Richard Knellinger

1998 Song Contest Winner Mike Jurgensen, 2nd Lance Lazonby and 3rd Al Scortino

1997 Song Contest Winner Doug Spears, 2nd Paul Garfinkel and 3rd Paul Garfinkel

1996 Song Contest Winner Dennis Dunn, 2nd Okefenokee Joe and 3rd Paul Garfinkel

1995 Song Contest Winner Stan Geberer, 2nd Brad Boone and 3rd Mem Semmes

1994 Song Contest Winner J. Robert Houghtaling, 2nd Lee Paulet and 3rd Al Scortino

1993 Song Contest Winner Boomslang, 2nd Ron Litschauer and a 3-way tie for third

1992 Will McLean Song Contest Winner Ken Skeens, 2nd Ken Skeens, 3rd Ken Skeens

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Song Contest Winner and Finishers in the 2023 Will McLean Best New Florida Song Contest

December 5, 2022Arts, Music, Reporter and Editor2023, Al Scortino, Chad Spikes, Daniel Childs, Edan Archer, Grant Livingston, Jane Fallon, Mike Worrall, Paul Garfinkel, Paul Smithson, Sarah McCulloch, Terry Cassidy, Tom Lubben, Will McLean Best New Florida Song Contest, Will McLean FoundationDonna Green-Townsend

To hear all the Top Ten Songs scroll down past the Top Three Winners

Siesta Key

Singer/songwriter Daniel Childs calls the Florida Gulf Coast home, performing roughly 250 live shows per year. Originally from Tennessee, Childs says he began writing and performing music at a young age, and by 30, he had traveled the breadth of the continental United States playing music. The state of Florida had always captured Daniel’s intrigue, and in 2014 he and his wife Norma made it their permanent home, settling in Pinellas County.

In early 2020 Daniel made the decision to quit his day job and pursue playing music full-time. Since that time, he has become a regular performer in Tampa Bay. In 2021, Daniel produced and independently released his first original album, “Escape.” The Florida beach life is heavily reflected in this collection of songs, which is unmistakable in anthems like “Siesta Key” which won first in this year’s song contest (out of 82 entries) and “Sanibel Day which placed eighth.”

“My goal in releasing ‘Escape’ is to provide people with an escape from the stresses of life, because that’s what writing these songs did for me,” Daniel wrote in reference to the project. Whether through his recordings or live performances, Childs’ says the message in his music is of freedom, hope, and a deep love for Florida.

“I wrote “Siesta Key” during a time of intense stress. The job I was working at the time was stressful, and its demanding nature would often leave me unable to feel at ease, even when I went home at night. My only real escape from stress was to explore the beauty of Florida with my wife. When possible, on weekends we would make overnight trips to various places we were interested in. That’s when we discovered the beach town of Siesta Key, and I fell in love with the vibe of the place.

“Siesta Key’ was the first song I completed in that time period, and it’s one of my very favorites to sing. My favorite line in the song is in the second chorus. It says ‘life is crazy, life is short, and life feels wrong… until you find where you belong.’ I think that’s a truth that Siesta Key, Florida helped me realize.”

You can follow Daniel online through Facebook, Instagram, Spotify and his official website at www.danielchildsmusic.com.

Rosewood

Chad Spikes is a native of Florida whose experience in music is diverse. He has played and performed in bands since the age of 12. He’s spent the last 25 years in American and Bluegrass bands such as Sawgrass Flats and Born Lonesome. He has shared the stage and line-up with national recording acts, performed in various opera roles at FSU, composed and produced the soundtrack for the Emmy Award winning documentary informational film, “Exploration Florida.” Chad says for him music has always been a family affair. Family sing-alongs were a regular feature in his life, exposing him to Doo-Wop, Rock and Roll, Blues, Country, Bluegrass and various other styles of music.

Chad was born and raised in Tallahassee, currently residing in Tampa. His main instruments are guitar and vocal but says he dabbles in mandolin and piano. His second place song in this year’s contest is, “Rosewood.”

“I was inspired to write “Rosewood” to bring this historic event back to light for its 100-year anniversary. I think it’s important we recognize and memorialize those who lost their lives as a result of this horrific tragedy. It’s also important to recognize how far we have come as a nation but not lose sight that we still have a lot of work to do.”

Chad hopes to release an album in 2023.

Sugartown

Sarah McCulloch is a Country/Americana Singer-Songwriter from Davie, FL. Born in Miami, Sarah was raised in the Big Cypress Swamp in a house her family built with hand milled cypress from her Father’s sawmill. Sarah was homeschooled for most of her formative years and drew songwriting inspiration from her colorful childhood, surrounded by the Seminole Tribe and Florida pioneers.

“My father was a force of nature, he was a pioneer who thought outside the box and was always growing spiritually,” says McCulloch. “He taught me the meaning of hard work and perseverance.”

After living in upstate New York for over a decade McCulloch has returned to her homeland of South Florida.

“Songwriting has been a transformative power for me. It not only helped me heal but transition to a new life. I’m most proud of my Florida songs, “Sugartown,” “Sawmiller’s Daughter” and “29 South.” They were all born out of homesick blues for my home state and have drawn me the most attention . . . . so far. ”

Her album, Sawmiller’s Daughter, produced by Jim Bickerstaff, was entirely written by McCulloch except for, “I’m Just An Old Chunk of Coal” written by legendary outlaw songwriter Billy Joe Shaver. She says it was a labor of love and describes the album as an evocative collection of stories rooted in strength, spirit, and family.

McCulloch’s debut album, Strawberry Moon (2018), gained top recognition as a nominee for Country Album of the Year at the Independent Music Awards in NYC in the Country category, in which McCulloch was the only female artist to be nominated. Her third place song in the this year’s Will McLean Best New Florida Song Contest, Sugartown, was written at a time when she was living in a cold northeastern climate and was really missing home.

“Sugartown is about the small town of Clewiston, Florida on the south rim of Lake Okeechobee. I grew up just south of the area in the Everglades but was bussed in to attend school there. I graduated from Clewiston High School and made wonderful lifelong friends and memories there. Sugarcane is the main industry there and this song is also about the community of farmers and hard workers. It’s about the nostalgia I had for my childhood and the people and places I left behind when I moved away. The song is a taste of small town America.”

“My favorite line is “they’re still raisin’ cane there on Friday night, them Okeechobee boys still looking for a fight.” It’s a great line because it can either be about the big Friday night parties we went to, where it wasn’t unusual for a fight to break out. But more commonly that line is associated with Friday night lights high school football, the rival team of Okeechobee coming to play. I have many fond memories of both the football games and the parties after. It was a great time and that town is full of good, hard working people that I have tremendous respect for.”

You can follow Sarah on Facebook at “Sarah McCulloch Music” or on Instagram @sarahmacsongs or Channel, Facebook (Sarah McCulloch Music), Instagram (@sarahmacsongs) and visit www.sarahmacmusic.com.

4th PL “Thousand Mile Walk” by Tom Lubben, Royal Palm Beach, FL

Tie 5th PL “I Love The Everglades” by Grant Livingston, Miami, FL

Tie 5th PL “The Music Has A Home” by Mike Worrall, Tampa, FL and Jane Fallon, Dunedin, FL

Tie 6th PL “Gainesville” by Edan Archer, Orlando, FL

Tie 6th PL “Florida’s Brigadoon” by Al Scortino, Sebastian, FL and Paul Garfinkel, DeLand, FL

7th PL “Hooked On The Easy Life” by Terry Cassidy, Brooksville, FL

8th PL “Sanibel Day” by Daniel Childs, Largo, FL

9th “Henry and His Railroad” by Terry Cassidy, Brooksville, FL

10th “Freedom” by Paul Smithson, Eustis, FL

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Back to the list of winners since 1992

Passing on Will McLean’s legacy to the next generation

March 15, 2022Arts, MusicCrying Bird, Florida Limpkin, Florida songwriting, Jessie Armstrong, Lee Townsend, Will McLeanDonna Green-Townsend

During the 2022 Will McLean Festival, five-year-old Emeline made her first major stage appearance singing the Will McLean song, “Cryin’ Bird.” It’s a song about Florida’s Limpkin, a bird that has disappeared from many areas of the state because of the loss of the apple snails that they depend on. Emeline has loved this song since she was an infant. She is joined on the Magnolia Stage by her Aunt Jessie Armstrong and a family friend Andy .

Two and a half year old Emeline Floyd joins her Aunt Jessie Armstrong and Uncle Lee Townsend to sing the late Will McLean’s Crying Bird

A favorite Will McLean song is “Cryin’ Bird” about the Florida Limpkin….a bird that has disappeared from many areas of the state because of the loss of the apple snails that they depend on. In this rendition of the song are Emeline Floyd, Jessie Armstrong and Lee Townsend who are helping to keep alive the music of the Father of Florida Folk, Will McLean.

*The Florida Limpkin, also known as the “Cryin’ Bird” (Photo by Donna Green-Townsend*)

Here are the lyrics to Will McLean’s Cryin’ Bird:

Cryin’ bird, your sad cry

in the night, is a cry of a lost child in fright

Cryin’ bird, are the apple snails gone

from the Wakulla River, from your home

You are sad, soon you’ll fly

far away, from the river you love

where you stay

Cryin’ Bird, as you go

fill the swamp,

with your sweet Limpkin song, Cryin’ Bird

Will McLean wrote hundreds of songs, poems and stories about Florida including, Hold Back the Waters, Seminole, Osceola, The Ballad of the Green Turtle (Conch Island), Tate’s Hell, and many others. Learn more about the Black Hat Troubadour at willmclean.com

Marjorie Kinnan Rawlings: Video Highlights of Events at the MKR Historic State Park

January 21, 2022Arts, Features, Reporter and Editor, Videographer and EditorBetty Jean Steinshauer, Carol Fiddia Laxton, Claude Jarman Jr, Cousin Thelma Boltin, Cracker architecture, Cross Creek, Donna Green-Townsend, Elaine Carson Spencer, Florida, Fred Mullen, Gamble Rogers, Invasion of Privacy Trial, J.T. Glisson, James Stephens, Judy Baker, Lee Townsend, Marjorie Kinnan Rawlings, Monica Berra, Rick Mulligan, Rip Torn, Ron Haase, Scott Spaulding, The Yearling, Will McLeanDonna Green-Townsend

Marjorie Kinnan Rawlings is best known for her novel The Yearling which won the Pulitzer Prize in 1939 and was made into a major motion picture. She penned many other books including Cross Creek, South Moon Under, Golden Apples, The Sojourner and Blood of My Blood. Rawlings died on December 14th, 1953 but her legacy lives on and continues to inspire writers around the world. The farm is now a Florida State Park where thousands of people continue to visit the farm and community that inspired Rawlings’ literary works. The community service organization, “Friends of the Marjorie Kinnan Rawlings Farm,” works to support the needs of the park. For more information on the Friends of the Marjorie Kinnan Rawlings Farm go to MarjorieKinnanRawlings.org or follow the organization’s Facebook page at https://www.facebook.com/FriendsofMKR. You can view and listen to many of the organization’s activities below:

On December 12, 2021 The Friends of the Marjorie Kinnan Rawlings Farm sponsored the showing of the 1946 classic film, The Yearling, at the Marion Theatre in Ocala. It was the 75th anniversary of the premiere of the MGM award-winning film. Prior to the movie the audience was treated to an onstage interview with Claude Jarman, Jr. who played young “Jody” Baxter in the film.

Claude Jarman, Jr. interviewed by Donna Green-Townsend

On April 6th, 2021 documentary film producer Donna Green-Townsend talked with Claude Jarman, Jr. who played young “Jody” Baxter in the 1946 MGM film, The Yearling. The movie was based on Marjorie Rawlings’ Pulitzer Prize winning book. Jarman was a special guest on December 11th and 12th, 2021 in Cross Creek and Ocala, Florida as the Friends of the Marjorie Kinnan Rawlings Farm organization celebrated the 75th Anniversary of the Premiere of The Yearling.

The Yearling movie told the story of a pioneer family in the Florida Scrub of Marion County, Florida and starred actors Gregory Peck, Jane Wyman and young first-time actor, Claude Jarman, Jr.

The Yearling depicts the coming of age story of a young boy and his orphaned pet deer and the tough decisions his family had to make to survive. The movie received seven Academy Award nominations, including Best Picture, taking home Oscars for Best Cinematography and Art Direction. Young actor Claude Jarman, Jr. won an Academy Juvenile Award.

Friends of the MKR Farm featured on WUFT’s Greater Good program

On March 26th, 2021 the Friends of the Marjorie Kinnan Rawlings Park was featured on WUFT-TV on the program, “Greater Good.” Here’s a link to the feature that aired.

In December of 2020 the park wasn’t able to have the usual holiday open house because of the pandemic. Instead, park staff and volunteers offered a virtual tour of Marjorie’s home all decked out for the holidays, just as Marjorie would have done when she lived there.

Marjorie Kinnan Rawlings’ Cross Creek Christmas 2020

Marjorie and Me: Ron Haase Discusses Cracker Architecture and His Inspiration From Marjorie Kinnan Rawlings

Ron Haase is Professor Emeritus at the University of Florida where he taught design and historic preservation. He is a specialist in the area of Florida vernacular architecture. Ron is also the author of the book, “Classic Cracker: Florida’s Wood-Frame Vernacular Architecture.” In this video he pays a visit to the Marjorie Kinnan Rawlings Historic State Park and shares his personal inspiration from Rawlings writings. He tours MKR’s barn and home with Park Manager Scott Spaulding and shares his knowledge of “Classic Cracker Architecture.”

On August 8th, 2020 The Friends of the MKR Farm decided to have a virtual birthday party for Marjorie because of the pandemic. Below is a special video presentation offered online about the friends and neighbors of Marjorie Kinnan Rawlings in Cross Creek. DVDs of the video are available to purchase for $15.00 plus $4.00 for postage and handling. All proceeds will benefit projects on the farm. Please make your check payable to Friends of the Marjorie Kinnan Rawlings Farm., and mail to PO Box 337, Micanopy, FL 32667-0337.

Life and Times in Cross Creek: Memories and Reflections

Celebrating MKR’s 123rd birthday (August, 2019)

The Pound Party Play

On May 4th, 2019 a variety of children participated in a play based on Chapter 4 of Marjorie Kinnan Rawlings’ book, “Cross Creek.” The play was written by James M. Stephens. A variety of audience members took video of the play and this video is taken from what those audience members captured.

The event was sponsored by the Friends of the MKR Farm and the MKR Historic State Park in Cross Creek, FL. To learn about other future events check out the facebook page: The Friends of the Marjorie Kinnan Rawlings Farm. Cast members: Director- Scott Spaulding Cast Members: Marjorie Kinnan Rawlings- Samantha Briscoe Samuel Townsend – Lee Townsend Leila Townsend- Donna Green-Townsend Dorsey Townsend – Ty Briscoe Ella May Townsend – Abby Briscoe Floyd Townsend – Jaylen Riley Glenwood Townsend – Carter Cutter Preston Townsend- Lucas Wunner Beatrice Townsend – Emeline Floyd Baby Christine Townsend – Emery Swilley

Marjorie Kinnan Rawlings’ Antiochers

Many of the Cross Creek, Florida friends Marjorie Kinnan Rawlings wrote about in her book “Cross Creek” are buried in the Antioch Cemetery near Island Grove, FL just east of Cross Creek. James M. Stephens has written what he thinks many of those friends would say about themselves and their relationship with the late Pulitzer-Prize-winning author. He shares those narratives in this unique walking tour of the Antioch Cemetery.

The Artistic Ties Between MKR and Robert E. Carson

Robert E. Carson was a professor of Humanities at the University of Florida from 1946-1971. Professor Carson, or “Doc” as many called him, was a self-taught artist who began in watercolors at the age of 35. In 1966 author Gordon E. Bigelow asked Carson to provide sketches for his book, Frontier Eden, The Literary Career of Marjorie Kinnan Rawlings. Following the publication of Bigelow’s book, the University of Florida asked Carson if he would be willing to provide tours of the late Marjorie Kinnan Rawlings home in Cross Creek. From 1968 to 1970 Carson and his wife Estelle stayed at the historic MKR home on weekends and served as the first hosts. Sadly, he died following a car accident leaving Cross Creek in 1971. Carson’s daughter, Elaine Carson Spencer shares how she is keeping her father’s legacy alive in this video about the artistic ties between her father and MKR.

Celebrating Marjorie’s 122nd Birthday at the MKR Historic State Park in August of 2018

Visitors who attended the 122nd Birthday Celebration for Marjorie Kinnan Rawlings in Cross Creek, FL in August of 2018 were treated to recipes from her Cross Creek Cookery book, music and tours of the farm. Volunteers with the Friends of the MKR Farm and staff from the MKR Historic State Park served up watermelon sherbet, mango ice cream and black bottom pie as well as birthday cake. Music was provided by Eli Tragash and Virginia Carr.

MKR friend Carol Fiddia Laxton Tours Historic Cross Creek Home

On March 3, 2018 Carol Fiddia Laxton toured the Marjorie Kinnan Rawlings Home in Cross Creek, FL. She had last visited the home when she was 18 years old many decades before. Her father wanted her to talk to Marjorie about what she was going to do after high school. Marjorie encouraged Carol to go to college for at least two years.

After touring Marjorie’s home, Carol Fiddia Laxton shared her memories of the late Pulitzer Prize-winning author, Marjorie Kinnan Rawlings. Her talk was sponsored by the Friends of the Marjorie Kinnan Rawlings Farm organization and the Marjorie Kinnan Rawlings Historic State Park. Carol’s father and grandmother were good friends of Rawlings. The late author lived with the family for a time to gather information for the books she was writing, including, “South Moon Under” and “The Yearling.”

Celebrating the 75th Anniversary of MKR’s Cross Creek and Cross Creek Cookery

Hotel Thomas Porch Party September 16th, 2017

Musicians, singers and dancers gathered at the Thomas Center in Gainesville, FL for the Hotel Thomas Porch Party on Saturday, September 16th, 2017. It was a part of the year-long 75th anniversary celebration of Marjorie Kinnan Rawlings publications, “Cross Creek,” and “Cross Creek Cookery.” The family-friendly event treated guests to traditional music and dance—and some unconventional entertainment. Guests enjoyed music by Sam & Eden, as well as musical guests (and descendants of Cross Creek characters) Jessie & Lee Townsend, Andy Garfield and young performers from We the People Theatre, dancing, percussive dance demonstrations, crankie theatre, and an old-time music jam. And there were plenty of homemade pie by the Pie Gals.

Happy 121st Birthday Marjorie Kinnan Rawlings: August 5, 2017 Fish Fry Birthday Celebration

Two versions of a video produced by Dorsey Lee Townsend III for a class project while in Santa Fe College:

Longer Version

MKR and the Invasion of Privacy Trial

Alachua-County-Courthouse — The old Alachua County Courthouse in Gainesville, FL

The 1946 “Invasion of Privacy Trial” of Marjorie Kinnan Rawlings vs. Zelma Cason has captivated lawyers and literary experts alike. On June 18th thru June 20th, 2015 the public got a flavor of the famous trial when the award-winning play by Larry Parr, “Invasion of Privacy,” took to the stage of the Fine Arts Hall at Santa Fe College.

It was after Marjorie Rawlings won the Pulitizer Prize for “The Yearling” that she continued her success with her book, “Cross Creek,” a book which captured what her life was like as well as her neighbors in the small fishing community. But one friend of Rawlings, Zelma Cason, didn’t take “too kindly” to the way Rawlings described her in her book and decided to sue the famous author. Click here to read more about this famous legal case.

Park Ranger Lee Townsend being interviewed on November 13th, 2009 at the MKR home about Marjorie’s life at the “Creek.”

A True “Mother’s Day” Story About Romance in Cross Creek by Shelley Fraser Mickle

I have a friend who lives at Cross Creek. She moved there over a decade ago from up North, and she would have left probably any number of times except that she fell in love with a man from the Creek. And that made all the difference. Apparently men at the Creek take the romancing of a woman very seriously.

For instance, a first date might be only a midnight fishing trip under a full moon on Orange Lake. It might be a frog gigging, or a beer shared out on a wooden bench near the Creek until it is dark and quiet, so that then you can listen to the alligators bellow in Lochloosa.

Click here to read more…

Cross Creek Summer

The first weekend in August of 1997 kicked off the first annual Cross Creek Summer, Arts and Culture in Marjorie Kinnan Rawlings’ Florida. Organizers hoped the week-long event would introduce people to the Florida Rawlings loved and attract those ecotourists looking for the real Florida. To hear the report produced by Donna Green-Townsend Click here

50th Anniversary of “The Yearling” Celebration on the MKR farm in Cross Creek in April of 1988

In 1988 the community of Cross Creek, FL came together to celebrate the 50th anniversary of the Pulitizer Prize Winning novel, “The Yearling,” by Marjorie Kinnan Rawlings. Not only did the event bring out a diverse group of Creek folks, but also noted entertainers and storytellers such as Cousin Thelma Boltin, and Florida Artists Hall of Fame winners Will McLean and Gamble Rogers. The video was captured on a VHS recorder by volunteers at the festival.

My Friendship With “The Black Hat Troubadour” Will McLean

January 11, 2022Blog, NewsDonna Green-Townsend, Father of Florida Folk, Florida Artists Hall of Fame, Margaret Longhill, Murphy Henry, Red Henry, Will McLeanDonna Green-Townsend

Will Mclean who was the first folk artist inducted into the Florida Artists Hall of Fame in 1996 — *Will McLean, the first folk artist inducted into the Florida Artists Hall of Fame in 1996*

By the time I met Will McLean he had already penned most of the hundreds of songs and poems he has become famous for. He’d already performed at Carnegie Hall and made friends with the late Pete Seeger. His glory days performing on the “Old Marble Stage” at the Florida Folk Festival were long since past. The truth is, the day I met him I didn’t even really know him by name. But I think therein lies the reason we became fast friends. Will McLean was one of the most humble men I’d ever met.

It was in mid-November in 1985. I was working in the WUFT-FM newsroom in Weimer Hall at the University of Florida when a tall man dressed all in black (that’s how I remember it) walked into my office and kindly, almost demurely, asked if he could post some fliers on the bulletin boards in the hallway to promote his concert that was to take place that following Sunday night November 17th in the Thomas Center in downtown Gainesville. Just having someone come in and ask to post something was rare. Thinking back on it, I’m surprised I didn’t just say yes or no. I remember being intrigued by this man because of the soft-spoken way in which he asked me. Maybe it was the way he was dressed and his stature that caused me to begin asking him questions, questions that today I’m a bit embarrassed that I asked, but so glad I did.

scan0005 — *Photo on Will McLean’s “Florida Sand” album*

I remember questioning him about what kind of songs he’d written. Instead of being surprised and offended that I didn’t know who he was he began to softly tell me some of the song titles and what they were about. That’s where my friendship with Will McLean really began. When he got to the song, “Hold Back the Waters,” my heart actually fluttered. I had no idea how popular that song really was or the true history behind the song of the 1928 hurricane in Florida over Lake Okeechobee. Geez, people in Florida had been singing this song like an anthem for more than 20 years. But in 1985 I had only been living in Florida for a little more than two years and was just getting to know Florida history and area musicians. But, I knew that song. I fell in love with “Hold Back The Waters” when I was helping produce a national music series while out in the state of Kansas called, “The Walnut Valley Festival.” The public radio station I was working for as news director, KHCC-FM, had produced 26 one-hour programs for national distribution.

scan0003 — *Album cover to record by Red and Murphy & Company I purchased at the Walnut Valley Festival in the early 1980s*

My job was to interview all the musicians and produce features for the series. It was my first real introduction to a genre of music you just don’t come across on the radio every day. One of the groups performing in 1982 was Red and Murphy Henry, a bluegrass family band from Florida (now Virginia). I can distinctly remember Murphy Henry introducing the song, Hold Back The Waters, saying it was about a hurricane. Of all the songs I heard at the Walnut Valley Festival those two years in the early 1980s, this was the one song I sat down and wrote out the lyrics to and learned to sing. Listening back to the original tape I can hear Murphy Henry mentioning Will McLean’s name, but at the time I learned it I wasn’t as interested in the artist who wrote it as much as in the story of this devastating storm that pushed Lake Okeechobee’s waters over its banks and drowned between 3,000 to 4,000 people.

The 1928 storm was before television and the weather channel and before hurricanes even had names. It intrigued me that the Seminoles living in Florida may have warned the storm was coming but people didn’t pay attention. This storm is the reason there is now a dike all around Lake Okeechobee in South Florida. There are many accounts from people recalling the storm describing how they were tied to trees by their families so they wouldn’t be swept away. There are stories about the mass graves following the storm….some marked and some unmarked. Yes, this was an intriguing song about history and my first introduction to what hurricanes could really do.

scan0004 — *Photo on Will McLean’s “Florida Sand” album*

I loved “Hold Back The Waters.” As soon as Will McLean mentioned it I remember blurting out, “I know that song.” When I told him where I first heard it his eyes just lit up. I wasn’t prepared for him to then ask, “Why don’t you come to my concert and sing it with me.” He had just met me. He didn’t know if I could sing or not. I’m sure I thanked him kindly for asking, but he surely didn’t need me to come and sing. It was his concert after all. He insisted.

Before he left the station I introduced him to our operations manager and our chief engineer and it was decided that WUFT would send its remote recording truck to the concert. I remember sitting in a little room at the Thomas Center that night in November of 1985 practicing the song with Will. I was so afraid I’d forget the words or forget how to play it on my guitar. My fears were relieved when I saw Murphy Henry walk into the Thomas Center, the person I first heard sing the song out in Kansas. It turned out that I didn’t have to worry about playing the guitar, I only had to sing the song with Will and Murphy. My fears about forgetting the words disappeared. Here is the introduction to the song that night in 1985

and here’s the recording of Will McLean, Murphy Henry and me singing “Hold Back The Waters.”

In 1985 I was engaged to be married to Lee Townsend from Cross Creek. He was with me at the Thomas Center. As it turns out, Lee knew Will for a different reason. When he was working as a mechanic in Gainesville he often worked on Will’s old vehicles, doing his best to keep them running, many long after they should have been abandoned. That night Will dedicated a poem to us. It was a poem so appropriate for a couple who lived in the woods in Cross Creek.

Florida's Black Hat Troubadour I will only say that following that November concert, for whatever reason, that professional recording got stashed away on a shelf and misplaced for nearly 12 years….a whole different story in itself. Eventually, it resurfaced at just the right time because the new program director at WUFT-FM, Bill Beckett, had an appreciation for what this recording meant to history. Working together with the Executive Director of the Will McLean Foundation, Margaret Longhill, we turned the recording into the CD, “Will McLean and Friends, Live at the Thomas Center.” I met Margaret Longhill the same week I met Will in 1985. She truly understood how rare this professional recording of Will McLean was. We’ve been friends now for nearly 32 years.

*Will McLean standing beside the van he used to travel around the state writing songs about his Florida sand*

Because of the way Will McLean lived, he had very few possessions. After his wife Alice died of cancer Will spent most of his last years travelling around in an old beat up van and hanging out at campgrounds where he could fish or just plug in his extension cord at the homes of various friends. He pawned many of his guitars to obtain money to buy wine and he gave away cassette tapes of his recordings to just about everyone he met. I think he enjoyed revisiting the places around Florida where his grandpa had taken him as a boy. Those trips were the inspiration for many of his songs and poems.

Not all of the stories about Will McLean are pretty, but he was a unique individual….a treasure. About a month after the Thomas Center concert Will came to Cross Creek to help me celebrate my 28th birthday. I remember having a nice little music jam on my screened porch over Cross Creek. What I also remember is that Will chose to just sit back and listen to everyone else sing and play, not wanting to be in the spotlight. As much as I wanted him to play for us, I can now look back and appreciate how he didn’t want to be center stage the way some musicians do. I liked that quality in him.

The same thing happened on March 15, 1986 at my wedding reception in Cross Creek. Someone told me Will McLean had just arrived and was looking for me. He had a wedding present for my husband Lee and me. It was a cassette full of recordings he had made around the campfires at the Florida Folk Festival and other places. Not wanting to be the focus of my wedding reception he kindly gave us his “best wishes” and disappeared. After getting to know Will better over the coming months I invited him into the WUFT studios to do a long interview in 1987. You can hear my first interview with Will in 1985 when I was just getting to know him and the second interview where I knew Will a little better by clicking here. Let’s just say I’m really glad I have those recordings. There are stories in those interviews that needed to be preserved forever.

Painting of Will McLean by Marianne Dinella — *Painting of Will McLean by Mary Ann Dinell*a

Will died in 1990 from cancer. Friends gathered for his memorial in the Thomas Center, the same venue where I sang with him less than five years before. Both floors of the Thomas Center were packed. Many of his friends performed Will’s songs and told stories of how they knew him including the late Gamble Rogers, Don Grooms, Bobby Hicks, Dale Crider, Seminole Chief James Billie, Jeanie Fitchen, Mary Ann Dinella, Doug Gauss, Dennis Devine and Wayne Martin. The list is long. There were tears and much laughter as well. I don’t think I’ve ever cried so hard. He touched so many of us in so many ways. This is the first time I’ve ever really written my thoughts about it. Thank goodness someone actually video-taped the service. It is a real treasure to see.

Afterwards many of us went to Gore’s Landing by the Ocklawaha River to disperse Will’s ashes. Some of those in attendance were Margaret Longhill, Don Grooms, Dale Crider and family, Donna Green-Townsend and family, Wayne Martin, and Bobby Hicks to name a few. Gore’s Landing was one of Will’s favorite places to camp. I saw him there while my family was also camping not long before he got so sick.

Sign dedicated to Will McLean at Gore's Landing — *Sign dedicated to Will McLean at Gore’s Landing*

Margaret Longhill chose the Ocklawaha River because before he died, McLean had told her that he had hoped to light a small campfire one last time at Gore’s Landing, his favorite campsite. In this brief recording, you will hear a small portion of that special ceremony at the river:

the late Will McLean considered to be the "Father of Florida folk" — *The late Will McLean considered to be the “Father of Florida folk”*

In 1996 because of his artistic contributions Will became the first folk artist inducted into the prestigious Florida Artists Hall of Fame. Friday, March 11th – Sunday, March 13th marks the 33rd anniversary of the Will McLean Music Festival.

One of the highlights of the festival is the hour when the winners of the Will McLean Best New Florida Song Contest perform their winning songs. Will always wanted to “Save Florida Through Music.” It’s amazing how many songs there are now about his beloved “Florida Sand.”

If you’ve never been to the Will McLean Folk Festival you really should check it out. It’s truly a “songwriters festival.” It’s held at the Sertoma Youth Ranch just 7 miles west of Dade City. It’s small in comparison to many music festivals, but that’s why it’s so special. The performers and the people who attend are all in the same campground, playing music throughout the night.

My children have grown up there. In 2016 my son Lee and daughter Jessie Townsend performed on both Saturday and Sunday at the festival and honored many songwriters who have passed on in a special “Florida Set.”

I love sharing the legacy of Will McLean with the younger generation. That being said, I can’t tell you how sweet it is that my granddaughter literally fell in love with one of Will’s songs as an infant. If she was crying, it soothed her. When she began to talk, she asked for the song to be played. By the age of two she was singing the words with her Aunt Jessie and Uncle Lee. Here’s a version of them singing it together.

As the late singer-songwriter Pete Seeger said, “Will McLean’s songs will be sung as long as there is a Florida.” Rest in Peace Will McLean, my friend.

Song Contest Winner and Finishers in the 2022 Will McLean Best New Florida Song Contest

January 2, 2022Music2022, Donna Green-Townsend, Gibsonton, Jim Terry, Joe Virga, Joshua Reilly, Key West Time, Mercy In The Storm, Will McLean Best New Florida Song ContestDonna Green-Townsend

To hear all the Top Ten Songs scroll down past the Top Three Winners

Mercy In The Storm

The winner of the 2022 Will McLean Best New Florida Song Contest is Jim Terry from Napa, CA. The song highlights a dark time in Florida’s history when the 1928 hurricane ravaged the communities surrounding Lake Okeechobee. Terry says, “As a songwriter, one thing that has become increasingly clear to me is that you never know when or how inspiration will arrive in your mental inbox. The inspiration for Mercy in the Storm came from an unusual source for me – from a piece of art in the form of a sculpture.”

Terry and a companion were strolling the grounds of the Storm King Art Center in Hudson Valley, New York. Stacked on a peninsula extending into a lake were two towers of tambourines, perhaps 30’ high and painted white. It was a sculpture by a young New York artist, Allison Janae Hamilton. The sculpture is entitled “The people cried mercy in the storm.” The title is a lyric from a song called “Florida Storm” by Judge Jackson which became popular in 1928 following the Okeechobee Hurricane. That storm killed thousands of people when the levies of Lake Okeechobee breached, and is reported to be the second deadliest hurricane in US history. Terry says, “So many people died that they couldn’t be buried. The few white people who died were properly buried.” Many black migrant workers were buried in mass graves. Terry added,

“As I was contemplating the stack of tambourines, I started thinking about Hurricane Katrina and the similarities between Okeechobee and what happened in New Orleans 77 years later when the levies of Lake Pontchartrain breached. There it was, the inescapable trifecta of systemic racism, climate change and those tambourines representing the role of folk music in building resilience in an oppressed culture. This was subject matter for a song. Allison reminded me in an email that it was a song that inspired the sculpture and now, full circle, the sculpture inspired a song.”

Terry is part of a family band. “It began with a tiny violin presented to my oldest son James, then 3 1⁄2 years old.” It wasn’t long before Jim, a guitarist himself, began playing along with his three sons, teaching them lyrics to popular songs. “Our favorite song was ‘Dead Skunk in the Middle of the Road’ which we sang at our first official gig at the UC Alumni Camp Lair of the Bear,” says Terry.

Now, years later, the Terry Family Band is comprised of Jim and sons Clark and Graham (son James lives in Atlanta and sometimes joins the band). The music comes from the complex experiences of life, the country, and the world, while the roots of American folk music are prevalent in their playing style. Clark and Graham are multi-instrumentalists (violin, mandolin, bouzouki, guitar, vocals) while Jim writes the music and handles lead vocals while keeping the rhythm pulsing in the background with his acoustic guitar. Graham toured nationally as the bass player for Tornado Rider, a power rock group featuring Grammy nominated Rushad Eggleston on cello. Graham and Clark are also members of the Bay Area based Indie Folk group Middlesleep. Bass player Rob Wright is a versatile musician with jazz, classical, and deep bluegrass roots having shared the stage with the likes of David Grisman and Tony Rice.

The Terry Family has won 29 West Coast Songwriters (WCS) awards, including the 2018 Napa chapter Song of the Year “Fire in the Wind” and the overall winner of the WCS Song of the Year in the 2019 WCS Grand Finals competition at Freight & Salvage in Berkeley for “The Walls Stand On and On,” a stirring account of the story of Emmett Till. Terry Family’s debut album “Hometown Tragedies” is currently being released and promoted to North American folk radio by Art Menius.

The second place finisher in the 2022 Will McLean Best New Florida Song Contest is Joshua Reilly from Clearwater, Florida. Reilly says he is a songwriter whose music flows seamlessly through and around the edges of the folk, country, and blues genres. Originally from the Midwest, Reilly makes his home in the Tampa Bay Area and continues to write music and showcase his raw delivery and undeniable connection to the spirit of his songs. His song is called, “Gibsonton” written from the perspective of someone who is a part of the carnival community in Gibsonton.

Gibsonton

“Gibsonton is a song that was the product of several different points of inspiration,” says Reilly. “I chose the topic of “Florida” Songs as the theme of an ongoing songwriting group that I facilitate. My wife suggested that I write a song about Gibsonton, FL and its close connection to the circus. I loved the idea.” Before even writing the song, Reilly went on air with WMNF on The Florida Folk Show to promote the event where his group would perform their new “Florida” tunes. The other guest that day was John McEuen of The Nitty Gritty Dirt Band. Reilly says, “At breakfast, following the program, I spoke with John about my desire to write a song about the circus-folk from Gibsonton. I told him I was having a tough time finding a way to approach the song. He thought for just a moment and said, “Joshua… if you write the song as if you were one of them, I don’t see how you’ll have any trouble at all.”

Here’s how Reilly describes his music, “Every now and then, a song, a voice, a lyric, splits your soul right in two and then proceeds to feed both sides. Raw yet refined, mournful yet optimistic, heartbroken yet inspiring… such is the dichotomy, the paradox, and the musical delivery of Joshua Reilly.” Reilly says he was born, raised, and marinated on the cornfield-lined country roads of central Illinois, and then cultivated, ripened, and baked on the beaches and concrete swamps of Florida.” He says he understands hard times, he knows redemption, and this unfiltered honesty pours out through his music. It’s a slice of life served clever and real.

Reilly has performed around the country, including a national tour in support of his 2017 album Mercy on the Strange. He has opened for acts such as Billy Joe Shaver, Robbie Fulks, and Slaid Cleaves. And while deepening his roots as a family man in Florida, Reilly has become one of the most respected and beloved musical acts in the Tampa Bay area.
Reilly’s style and message are all his own. His lyrics and music convey the poignant truth that life can be brutal or grand as we navigate the road ahead and face up to the road behind. As New York Times best selling author Tom Robbins wrote, “Vocally and instrumentally, Joshua Reilly has a delivery like the last train out of Real Town before the android invasion. Clear the tracks!”

Key West Time (Manny’s Song)

Florida musician, philanthropist, singer/songwriter, and Florida Folk Community Member Joe Virga placed third for his song “Key West Time.” Virga moved to Florida from New York where he had been part of the Greenwich Village Music Scene. He was an accomplished guitarist and singer-songwriter who was known for his passion for helping fellow singer-songwriters attain performance opportunities in the Cup Of Joe Songwriter Stages at the regional Folk Alliance Festivals. His Facebook page is full of tributes attesting to his kindness through the years. Sadly Joe passed away in early December before learning of his placement in the song contest. The photo montage below and video featuring Joe’s song are thanks to Gail Carson. RIP Joe.